Sit down and stay awhile.

The title of this post may sound harsh and unfeeling. I’m not beating up my fellow writers, I’m just stating the facts.

Just like living, writing (or creating any sort of art or endeavor) is a monumental struggle, to begin a project, to maintain enthusiasm, to power through depression and self-doubt, to complete. Completion is the end goal. Believe me, I know. It took four years of struggle to complete the first draft of my first novel, and I’ve heard from others it could take much longer. For me, the first goal was The End. I’d passionately started plenty of projects only to have them fall to the wayside. (Example: somewhere in my house is a crazy quilt I started in 1984, the intent was to give the finished product to my in-laws for Christmas. I got to the point where it is 4′ by 4′, but not big enough to cover a bed. I think my first child derailed this project, but someday I will locate it and finish it.)

My work on my first novel ebbed and flowed over four years. Sometimes I’d be hit with surfer-wave intensity and would ride that wave for days, writing like a crazy person on meth. Other times, the desire to write would dry up to nothing, the edge of the ocean way, way, way out there, practically to China and unreachable, and I’d go weeks without thinking about writing, or I’d think about it and panic because I had basically become unproductive.

Dry spells are made of dread. During one particularly onerous dry spell, a good friend of mine (now gone, RIP) admonished me to at least sit down for 15 minutes and write something, anything. I even tried Write or Die, which did work in my case, eventually. (Why my tag line for the longest time was “I’m writing as fast as I can!”) I went from a hundred words in 15 minutes to sometimes over 500.

I’ll have to admit the obvious: the finished first-draft product was horrible! It was full of broken rules and too many words, bad grammar and head hopping and every wrong turn imaginable. I put it away for two years, because I couldn’t believe I had created a literary disaster. I went on to other novels in other genres (which I finished! it gets easier the more you write), tried flash fiction in an effort to tighten up my stories, and began to put my typewritten poems into digital form. I later came back to the story because it was a good one – just terribly executed. After I got over the stinging in my eyes from reading the draft a few times (I’m not kidding, it was ammonia awful), I set out to edit, and edit again, and again, and yes, a couple of more agains. When it felt right to me, I entered it into contests where I received positive feedback (YAY ME!) so I knew I was on the right track.

Every so often, I’ll pull a copy of the book out, open it to a random page, and read a page or two. While I’ve improved my skills since I published it, I can honestly say it’s actually not horrible! I still feel good about it.

What I have learned along the way is that writing is much like life. It’s not easy. There are days when you don’t want to get out of bed. (Writers seem to be depressed – a lot!) There are obstacles along the way: day jobs, downers in the personal life, struggles with health issues, things that are thrown at you that you can’t predict and sometimes are out of your control to alleviate. You’re tired, your head is full of negative thoughts and fears, your days are too full to sit down for a minute, much less 15 of them strung together, with enough corresponding peace and quiet in order to type.

What I’ve also learned is I need heartache and struggle in order to write. If things were a lollypop and gumdrop heaven all the time, I’d have nothing to write about.

I know what it feels like to have a total loss of words. In those cases, I resign myself to baby steps and give myself a break, because I know this will pass. So writers, give yourself room to stumble. Remember this: your writing life, like your real life, will not always be full of obstacles. It won’t be all rain, or God forbid, a bomb cyclone (like the one we experienced in Colorado last week – I might have to use that in a story). Eventually the clouds will clear and the sun will come out and life will be good and words will flow.

Trust me.

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It was warm enough to take off my shoes

It was an interesting two weeks away from home. First, a long weekend with the San Francisco Writers Conference, this year being held at the Hyatt Regency near the Embarcadero and Ferry Building. I wasn’t sure at first if I was going to like the new digs, as it’s splashy! So very Vegas! Right in the middle of the action! but…I got used to the immense size. The accommodations were top notch, the banquet food yummy, the workshop space HUGE. There was no reason to go outside (plus it was raining the proverbial cats and dogs and colder than usual for February so why venture? except for the brief and nippy Eyespiration walk), so I stayed in and took advantage of all the workshops I could. Of course, I left there feeling totally bereft, like I have done everything wrong since last year, but that’s what the conference is for – to rein me in and keep me on a path. Mission accomplished.

I then spent the next few days at the beach. Thankfully, the skies parted on those days, the sun came out, and I was able to enjoy myself. I spent an entire day with my web designer (for the jewelry site – stay tuned) and felt like I accomplished much there too. I visited with the son which is always nice, even though he is now busy with two jobs. The last two days in California were spent in Fort Bragg, which is known for Glass Beach. (Score! A lot of sea glass! Also blessed with nice days.) I made my escape through the Sierra just before more torrential rain and snowfall. (Can you believe they’ve gotten over 400″ of snow? So far?) The drive home was marked by the appearance of the crud (you KNOW I have to get it sometime during the trip) and of course, treacherous driving in western Wyoming, where the speed limit says 80 mph but with patches of black ice and jack-knifed semis every few miles, driving was belabored and careful. I’m too old to be a statistic. I’ve also too many things left to do.

So now I have returned, to my own comfy bed and my wonderful shower and the husband and dog and cat. I hadn’t written much since leaving the conference, but I made up for it beforehand by writing like a fool on fire. This week’s assignment in my writing class has sparked my interest once again, and I’ve already made quite a dent in my word count.

My assignment… to write the climax of my novel!

I like the idea of writing not in a linear fashion. I took a similar class with Michelle Richmond a couple of years ago and she had us write the last chapter as an exercise. My head rarely works on the linear; in fact, today I printed a calendar for the year in question just so I can see the time line in the way my story will occur. Otherwise I’ll jump back and forth like a crazy person. (This is why it takes me so long to complete a second edit. Sometimes my writing truly makes my head hurt.)

Honestly, this may sound like me patting myself on the back, but things are truly coming together this time! For one thing, I picked a good year (1898) to write about, although I didn’t know it at first, because I picked it out of the ether. My research has revealed so many interesting occurrences that year. My climax is scheduled for October 1, 1898, which also happens to be the day the first Antlers Hotel burned to the ground in Colorado Springs. My main character and her mother are having tea there when the explosion occurs. This corresponds with my character taking a stand and finally asking for (and getting) what she wants.

Now I just have to fill in the holes for the six weeks before the fire.

There are no easy fixes or sure-fire “hacks” (God, I hate that word) for writing. The very first basic thing a writer must do is sit down and begin to write. Nothing happens without the sitting down part (unless you have one of those ergonomic standing desks – then STAND and start writing). It doesn’t matter what you write, it doesn’t matter if they are perfect, wonderful sentences, just start. Write a blog post, or a poem, or a Facebook rant.  Prompts help, both word prompts and visual prompts. Taking a class and being confronted with homework also works. If you’re stuck in a scene, move on to another scene – you’ll probably use it. Take a walk without devices and let your mind wander. Read, either craft books or novels.

Most of all, if you find something that works for you, if you’re blessed with divine intervention and the words flow freely, go with it. Don’t let a moment of creativity slip through your fingers, because take it from me, it can pass just as quickly as it came.

And now, I must finish my chapter.

Write on.

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Don’t sit here unless you have a super absorbent towel.

It’s the Monday morning after the San Francisco Writers Conference, and I’m sitting in a motel a couple of blocks from Ocean Beach. Because while downtown San Francisco is Disneyland and Las Vegas wrapped up in New York with a side of Tokyo and Hong Kong and a teaspoon of Peru (don’t ask), the core of the city is too much stimulation for this simple girl to experience for more than a few days at a time. I need the decompression of a cold, windy beach, minimal traffic, and good coffee right next door.

The same goes for conferencing. I attended well-rested, open-minded, free from work life worries and personal life drama, in the best mental shape of my writing life ever, yet still after three and a half days, one must step away and allow the absorption to take place. I’m concentrating on my “other” love and web site today, and try not to think about what I’ve learned at the conference until at least tomorrow morning. A certain amount of distance is necessary to obtain perspective.

The conference is a good thing, a necessary thing for me. It’s an inoculation, a gentle reminder that in the year that’s transpired since the last conference, I’ve fallen into bad habits. Or lazy, bad habits. I learn about what’s new, I see old friendly faces and meet new, mostly old, friendly faces. I choose a couple of small, easy fixes for my writing, or my web site, or my marketing, and will work on those items. I revel in the enthusiasm of the young writers, and commiserate with fellow compatriots who have pledged to toil on for the long haul.

Writing anything, be it a novel, memoir, poem, or blog post, is work, hard work. It’s not a lottery ticket. Writing is an art you will not instantly be fabulous at. (I think I’ve said that elsewhere.) It doesn’t come easily (although now it’s coming much easier, but that’s the practice factor at play), especially with external forces constantly tugging at you, trying to derail your progress.

Information is a wonderful thing, as is camaraderie and validation. But it means nothing unless you put the information to work, you forge the friendly banter from the initial hello to a lasting friendship, and you take your talent to higher levels to live up to the praise.

I’m here, still walking in the wet. Still thinking of plot twists and character development. Still fighting the good fight.

Still writing.

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I <3 writing

I’m timing this post to be released when I’ll be on the road driving toward San Francisco. Depending on what time I leave the house (hopefully early enough to avoid Denver rush hour, slow time appears to be between 3-4 a.m., the rest of the time it’s a zoo), I want to say it will be released to the Internets when I’m on the road somewhere west of Cheyenne, Wyoming.

Now that I’m living in Colorado and equidistant from both of my children (one in Michigan, the other in San Francisco), I’ve decided that driving to either destination is the best option. Airline travel takes a lot of time: you drive to the airport, you hassle through the TSA lines depending on whether or not your ticket says “pre-check” (which it sometimes does – how I don’t know) or not, you draw the lottery over an upgrade, a draw you normally lose; there are connecting flights to catch (or miss), maintenance issues which may delay you, deplaning at your final destination (when you’re in row 42, you might as well take a nap), waiting at the baggage claim and hoping your psychedelically colored bag hasn’t been mistakenly routed to Kenya, traveling AirTrain to the rental car building (a short trip also fraught with pitfalls – I nearly took out a Japanese tourist once, by accident, when my bag and I tripped on the escalator and fell on him), waiting at the rental car counter for hours, etc., etc.

No wonder I’m exhausted by the time I arrive at the conference! It normally takes me three days to acclimate to the jet lag, and by that time, the conference is over and I have a terrible case of conference crud (one year I had the crud DURING the conference, which was no fun at all) which takes all of a week to eradicate, or at least get under control.

No. Driving is the best option. I’m in control. It might take a little longer, but my nerves (and my gray hair) will be better for it. I won’t have jet lag. I’ll have hours to sing along with Tom Petty radio, or to imagine the Old West as it was 150 years ago. I’ll have carefully packed snacks: fruit, granola, nuts, hard boiled eggs, my own bottled water that won’t cost me $8 at the terminal bookstore. I’ll have my own car, which I won’t have to clean out a rental at the end of ten days and hope I didn’t leave my glasses or my Lipitor prescription in it. It will be a two day trip, or a day and a half, or, if I’m feeling particularly spry and alert, I might go for it in one very long day and save myself a stop in Elko, Nevada. (One extra day with my son.) My son says to bring chains for the pass between Reno and the western slope of the Sierras, but I have an extra day built in just for such an emergency. I-80 is a major artery; they’re not going to let 30 feet of snow stop a major vein of commerce between the Left and Right Coasts.

I can take my time if I want. Or not. I haven’t decided.

This year will be my tenth San Francisco Writers Conference. Ten years. If you read the very second blog post on this very blog, you’ll see where I started: writing about my first San Francisco Writers Conference. I had a lot of dreams back then, not to say I don’t have them now. My dreams now aren’t the dreamy dreams of a fresh writer who had just finished her first (massively huge) manuscript. Dreams are good, as long as a guiding hand of reality steers in the background. I have no illusions of a client hungry agent tapping me on the shoulder to offer me a six-figure deal. That might happen for some people, but if it happens to me, I might have a heart attack and die.

Money is nice, but that’s not why I write (or draw, or create jewelry, or weave baskets). I subscribe to some writer blogs that say you MUST be in it to make money. I’m sorry, but after fourteen years of writing (again) and ten years of conferencing, I still have to disagree.

I write to tell a story.

Some of them are surprising stories, totally different from my favorite reading material. The one I’m working on now? A girl in 1898 Colorado Springs? If you would have told me a year ago I’d be writing about this girl and her struggles, I would have laughed at you and said what-kind-of-stuff-are-you-smoking-can-I-have-some. I didn’t even think about this girl until after the first of January 2019. And the one right before that, political shenanigans ripped from the headlines? Again, mad laughter.

The truth of the matter is that there are stories all around us, and most of them are multi-layered, and many of them compelling. Good writers can pluck a story from anything or anyone. The trick (or skill) is to write the best book you can and portray the characters so that they’re relatable and real. Once you achieve that, the entertainment value is apparent.

You can still learn a lot from ten years of conferences. Learning never ends. Every year, I learn something new and am grateful for the venue and the knowledge it affords me. Every year, I go in thinking “I am a sponge; give me something to soak up.”

If you go in thinking you have a chance at winning the lottery and leave disappointed that the conference failed you because you got a couple of eye-rolls from agents during your speed dating hour, you’re missing the point. Attending a conference of this magnitude is winning the lottery.

And now I must pack.

See you on the other side.

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When it comes to creative pursuits (of which I have a few, and the list is growing), the old adage is true: Practice, practice, practice.

I took a pine needle basket class. This is my first effort. Not the best, but I can practice.

No matter what you choose to do, you’ll find you won’t produce perfection on the first try. I learned this with my jewelry. I started out playing with beads, which was a no-brainer. But when I moved to metal, it was trial and error BIG TIME. I would come back from my Tuesday class and practice like a crazed woman. For example, I would make 100 wire rings (or 50 coiled bracelets, or whatever) between Wednesday and Monday, and most of those were crap. I have in my office what I call my “laundry basket of shame” – all of my failed projects that are too ugly for words. (Also too ugly for the light of day.) And yes, it’s a laundry basket. I’m keeping them to possibly re-do at some time in the future (metal can be melted and I’ve got nice stones in those failures), but mostly I keep them as a reminder of where I started and where I am now.

What I’ve noticed in the last few years is that with more practice comes more skill, and I’m not contributing to the junk pile as frequently as I did when I first started out.

I would imagine it would be the same with any endeavor. I’m fairly certain Tiger Woods didn’t come out of the womb with golf club in hand. I occasionally golf, and I can tell you there is no such thing as innate talent, only that to come out of the day with a decent score takes a lot of consistent practice.

The same is true with writing. From experience, I know you can’t just sit down and take off with your pen or computer and expect the result to be anything but…well, flawed. Telling a story is an art form, and with any art, there must be practice. Lots and lots of practice.

It does get easier. Just as now I can wire wrap almost in my sleep, when I write, I make less and less of the stupid mistakes I made after finishing the first draft of my first novel. I don’t linger over passages anymore like I did with Book #1 – if I find myself getting bogged down, I’ll move on and come back later. The second novel was a little easier. The third even more so. I’m not much of a plotter, but now I’m aware of my foibles (like writing rambling back story and writing like I speak), and I know when to stop and when to kick it into gear. I’ve learned that if I write as fast as I can, even the worst of my writing has a value and can be used (with much editing). And I’ve learned to take small snippets of time and fill them with writing. (Right now, I’m filling my Hobonichi with short poems. They’re rough draft poems, but I’ll get to them someday.)

The lesson is, once you plant butt into chair: The more you write, the more you will write – and the better you’ll get at it.

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…or not.

I’m busy with my writing class and am a few hundred words away from my word count goal for the month, so instead of a blog post about writing, I am treating you to a first chapter I might throw away. (There’s another chapter that could do for the first. I haven’t decided.) It’s better to have too many words than not enough. Comments and critique welcome.

Sylvania, Ohio 1898

Adelaide Monroe slumped on the top step of her back porch completely spent and sweat soaked in the morning sun. Not yet mid-morning and already the heat of a warmer than normal July had made the usual farm chores torture, with humidity thick and oppressive. If she could slice the air into blankets to save for later, she would never suffer another cold winter. After an hour spent chasing and capturing two dozen errant chickens, she was spent. Damned the hen that discovered a small tear in the wire; the miscreant had led the rest of the flock to giddy freedom. Addie cursed herself for forgetting how crafty (albeit stupid) chickens could be. She mended the breach with twine and with the help of her collie, Skippy, finally marshaled the truants back to their coop. She would catch a brief respite before collecting the day’s eggs.

Addie wiped the sweat from her brow with the hem of her apron and surveyed the small farm landscape. After spending a year at the Cleveland Normal Teachers’ Preparatory, life in rural Sylvania seemed dull indeed. It was also extremely primitive. Cleveland was no New York City, but at least it hummed with commerce and culture and the promise of progress. Six weeks back in her childhood home, and Addie yearned for the modern conveniences of indoor plumbing and electricity. During her spare time at the Preparatory, she had enjoyed many strolls along Millionaire’s Row, imagining herself as a lady serving high tea in one of the magnificent mansions on Euclid Avenue. She’d attended a high tea at one of Cleveland’s finest hotels as a guest of the school, and thought the experience to be the pinnacle of her experience. She’d attended concerts and plays both indoors and out. She even found wonder in watching the busy factories churning out smoke as well as tobacco and woolens, and would sometimes spend her Saturday afternoons at the docks, observing ships as they entered and left the port, all the while dreaming of where they’d been and where they were going next.

With each passing day in her hometown, Addie saw the promise of her bright future flicker away, a slow expiration into darkness. While she loved children and had wanted to teach, doubts had begun to spring up where the light had once been.

“Addie! Addie!” The screen door opened wide, hitting Addie in the back. She sprang up to face her mother. “Dear God, girl, I didn’t see you sitting there. Did I hurt you?”

Addie swept straw and dirt from her clothes. “No, Mama. Chickens got out again. We might need new wire. This coop is older than I am.”

“Don’t have the money, girl. We’ll make do until we really need it. Get yourself cleaned up. I want you to make a delivery to Dr. Randall.”

Addie groaned. The town doctor had an eye for Addie. Addie’s eyes fixed on a different horizon. “You can’t go?”

Martha Monroe crossed her arms and frowned. She was an imposing woman, raven haired and stout like Addie, although a foot shorter, with the same moon-round face and blue eyes. “Dr. Randall doesn’t want to see an old woman like me. He needs a dozen eggs and I talked him into buying one of the strawberry rhubarb pies I just baked and you’re going to take it to him before lunch time. I’ve got wash to hang and a long row of green beans to hoe and tomatoes to stake.”

“I’ll trade.” Addie offered.

Martha shot Addie a stern, no-nonsense glare. “Adelaide Monroe, you could do much worse than to have a doctor for a suitor. Why Doctor Randall is a fine man! He’s taken a shine to you, a real shine. None of the other girls in town have a chance, I tell you. Don’t be a fool. I wouldn’t let that one get away.”

“Yes, Mama,” Addie said sadly.

Martha had turned to enter the house when she noticed the egg basket empty. “What? No eggs today?”

Addie picked up the basket and headed for the chicken coop. “I’ll get them.”

 

Addie could have walked the two miles to Sylvania, but she chose to take the horse cart, telling her mother she did not want to ruin the delicate pie by walking it to Dr. Randall under the fierce sunshine. The truth was it was too hot for walking, even had she changed into short sleeves and a shorter cotton skirt. Her wide-brimmed straw hat kept the sun out of her eyes, but at the expense of a river of sweat pooling at the band.

Addie liked taking the wagon into town, if only to stealthily travel beyond the village. She’d started urging the horse on the road south a half-mile beyond the town limit, which later became a mile, then farther. One day she hoped to make it to Toledo; maybe then she’d sprout courage and keep going until she reached the Gulf of Mexico or until the horse gave out.

Dr. Randall’s imposing three story home on the town square was the finest in Sylvania, although it now seemed a paltry shack compared to the mansions lining Cleveland’s Millionaire’s Row. He’d inherited it and the practice from his father, the late Dr. Joseph Randall. The first floor held a reception area and patient rooms, with living quarters above. Addie loved the old Dr. Randall, with his steady bedside manner and jar full of hard candy he used to reward good children. He could tame the most difficult patients with a sweet smile and a wry joke.

Dr. Jacob Randall, Princeton educated, tall, dark, and sophisticated, was a few years older than Addie. As much as the elder Dr. Randall seemed the jolly, grandfatherly type, the younger Dr. Randall fell short – at least in Addie’s eyes. He was pretty, yes, but his shiny exterior lacked sincerity. She’d spent the last month and a half avoiding him, pushing past him quickly when leaving church services or the dry goods store, and hiding upstairs in her bedroom when he came to call – which he hadn’t done once the entire time she was at school in Cleveland. His dogged pursuit was obvious, but at twenty-two, Addie was not yet ready to settle into domestic life.

Addie entered the square noting much of Sylvania had folded up in the heat. The streets were quiet and empty. Smitty from the Western Union office sat on a battered oak dining chair on the sidewalk outside the door, hatless, baking in the sun, the only human in sight. He squinted at her and gave a wave which she returned. Addie turned the wagon in front of the doctor’s house, dismounted, and tied the horse to the hitching post, before she returned for the pie and eggs.

She steeled herself for the task at hand, wondering how she could appear disinterested without seeming rude. Her pointed avoidance hadn’t sunk in with the good doctor. Addie made it halfway up the sidewalk when the front door opened. “Addie Monroe! It’s so nice to see you.” Dr. Randall greeted her. He bounded across the porch and down the steps, his long legs like a gazelle taking the plain. Not only was he pleasing to look at, with thick dark hair and handlebar mustache, he had a charisma that drew women to him – or so Addie’s mother claimed. Addie had never fallen under the spell, if one existed. He was smartly dressed in light trousers, his Oxford shirt sleeves rolled up to the elbow, a jaunty bow tie at his neck, not a hair out of place, and completely cool.

Addie stepped back as he approached, holding her items as a shield in front of her. “Hello, Doctor Randall.”

“Please, Addie, call me Joshua. We’re friends, aren’t we?” Dr. Randall winked at her. He winks too much. Excessive winking would be considered a lecherous move if he weren’t a professional man.

“You should get the pie in the ice box right away, Dr. Randall,” Addie said. She offered it to the doctor, who made no move to take it. She was forced to fill the space between them with small talk. “I take it you’re not busy today?”

“It appears not. Winter is my bread and butter, what with colds and consumption and falls from icy conditions. I guess it’s too hot to get sick.” He laughed.

“I see.” A moment of uncomfortable silence passed between them. “I really must go, Dr. Randall. Thank you.” Addie urged the pie and basket of eggs on the doctor, before she quickly turned to retreat.

Dr. Randall circled around her to cut her off. “I thought you might want a glass of iced tea before you head back. It’s dangerously hot today. There’s also the question of payment. Your mother’s expecting it, I’m sure.”

Iced tea would have been wonderful but she declined. “Thank you for the offer, but I have chores. As for Mama, you can settle up with her.”

“But…”

Addie took two steps toward her horse cart, leaving Dr. Randall on the sidewalk behind her. Smitty came tearing toward them from the telegraph office across the street, his hands clutching a white piece of paper. She’d never witnessed the old man run. “Miss Addie! Miss Addie!” was all he could say until he stopped in front of her. Addie raised her eyes to the heavens and thanked the Lord for this distraction, but the look on Smitty’s face was a combination of sadness and horror. Her mother bore the same expression right after her father had died.

“What’s the matter, Smitty?” Addie grabbed Smitty’s arm. “What is it?”

Panting, he handed Addie the paper. She struggled to decipher Smitty’s hurried scrawl.

10 July 1898

Mrs. T.J. Monroe, Sylvania, Ohio

URGENT. Regret to inform you death of S. Monroe, Colorado Springs, 4 July. Request guidance RE: disposition of property. Awaiting response.

Yours

N. Hastings

“Miss Addie? Miss Addie?”

Smitty’s voice called, a thousand miles away, throwing a lifeline to her heart, a tether to the present. Behind her, Dr. Randall’s hand reached for her shoulder, but she shrugged it off, not needing his support and sympathy, not caring of his intentions. This was not a time for weakness; her next task called for fearless mettle, and she couldn’t waste a second of time. Without a word, she folded the telegram into thirds and marched back to the horse cart.

There would be no furtive outings on the road to Toledo, no dreams of somewhere else, not today. She had news to break to her mother.

 

 

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The best books not only have relatable characters you can fall in love with (or hate), they also must convey a sense of place. I think about The Hunger Games, a dystopian setting that is removed from today’s time, or Harry Potter, which happens in an exaggerated British landscape (a bit of past, present, and future), or even sci-fi (which admittedly I haven’t read much of since junior high school), where the author must not only create the characters and the plot, they have to make outer space believable. I know that I have to BE there in the setting, even if there is imaginary. It’s easier to enjoy a book or movie if I’ve actually visited the place. For years, because I loved the place, I read books and watched movies about San Francisco. It didn’t matter the time frame or the genre, I loved the connection to the place.

When I wrote my first novel, Finding Cadence, I incorporated a lot of my personal life into the book, and consciously wrote it in three parts. Place, as well, occurred in three parts: first Michigan, then Colorado, and finally California. For me, place was an intrinsic part of the story. Cadie became a different person in all three places, and while I didn’t realize it when I wrote the book, her journey between the three places marked her growth as a person.

I have very little problem in settings in my books. If anything, because I used to write travel reviews, I tend to go overboard with description. I want whomever reads my work to know exactly where I was and how it affected me.

I’m working on a new novel specifically for my online class with Michelle Richmond. It’s a story about a woman who moves to 1898 Colorado Springs from northwestern Ohio after her brother dies. (Good thing I live here now! And I’m well aware of northwestern Ohio.) She and her mother don’t know it, but he had taken his gold mining money and invested it into real estate in Colorado Springs. It’s not a lot – not like a mining or railroad millionaire might achieve back in the day, but it’s enough for him to buy a large tract of land where he has just completed an enormous mansion in the middle of nowhere. I’m not going to give away what is going to happen, mainly because I’ll probably change my mind regarding the plot, plus I’d like to generate interest for book sales! (Duh.)

So for the last week, besides dutifully finishing my online homework and writing the first chapter, I’ve taken long walks in some of the open space around here. It’s amazing to me that within a few miles of my house (walking distance), I can go to where the land is largely unchanged from the last 120 years. I can stand in a field or canyon and imagine myself back then.

North Cheyenne canyon at the edge of Stratton Open Space. Behind the local high school.

I’ve also visited a couple of local landmarks, places I’d never seen and I grew up here. Miramonte Castle in Manitou Springs was built in 1894. Built by a French priest/architect, it’s a mishmash of nine architectural styles and is a bit much.

The sandstone fireplace at Miramonte. The castle is a bit much, but I’m stealing this for my novel!
Fr. Francolon sat here.

I also toured Glen Eyrie, General Palmer’s castle north of Garden of the Gods. (General Palmer founded Colorado Springs.) Built in the 1890s, it’s a beautiful English style mansion constructed on stunning grounds surrounded by rock formations.

The fireplace at the one room schoolhouse in Glen Eyrie

In my research, I realized that Colorado Springs wasn’t all backward and pioneer in the late 1800s. The time might have been before the widespread use cars and the telephones, but Glen Eyrie had indoor plumbing and a call system and central vacuums among other conveniences. I’m glad I toured these two places because otherwise my story might have contained some glaring errors.

It’s also good to get a feel for the homes of the era, the clothing and artifacts help with the description of setting.

I can’t write a story without becoming the character, seeing where she has gone and experiencing her struggles. Good books go beyond the story alone; they make you think about them long after you’ve reached the words “The End.”

It takes a little extra time and a lot of extra effort, but the payoff is deep.

More later…

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