It’s true: sometimes you must step away from your work long enough to gain a different perspective.

This is why writers seek feedback. (Perhaps not all writers, but this one does!) We use our family members and friends, look for critique groups, employ the use of editors and book doctors – basically run our manuscripts through the wringer and then some. Some use feedback to gloat and marinate in praise. I need it because I see the value in being slapped silly every now and again.

Take my good friend, The Little Fluffy Cat. She’s not really a cat, but a great writer, and on top of that, a kick-ass editor. I’ve emailed her passages and she red-lines and returns them in minutes. “No, this won’t work.” “Adverbs?” “Purple here.” (These aren’t quotes, but it’s along those lines. Plus there’s many strike throughs. I can almost hear her sighing from Texas.) I don’t ask her often, because she’s a busy woman. I ask her when I need an unvarnished review. I’m not sure what she really thinks of me, but I must be somewhat amusing because we’re still friends after all these years.

It smarts a little to read a LFC edit, but she’s 100% right.

And while I have an Editor for Life, I like the idea of another pair of eyes. I’ve signed up for classes to work on my manuscript, one that’s already been through the editorial process. MANY times. I am thinking that my ED may be too close to me to give me an unabashed review. (He likes me. I like him. As a person, not just an editor.) I suspect my ED is like me, the writer. We are too close to the trees to see the forest. (Or too close to the forest to see the trees.)

Recently, I signed up for a Savvy Author mentoree class for my manuscript, Finding Cadence. The current edit is better, much better, but I’m going for making this manuscript the best I can. While waiting for my Book Doctor-Mentor to read the manuscript, I hurried to finish the current edit.

Then I put the book away.

She called me a week or so later and we had a nice chat about what she liked, what she didn’t like, what was unclear, and what could be improved. New Eyes Hillary pointed out a few things that were true, basically the sapling trees I’d forgotten were in my forest. She had me send her an outline. This took a while, because the outline saved on my computer was a few incarnations of this book ago and the middle and end was nowhere close to what it is now.

Again I put the book away.

Lately I’ve been working on a different edit. My brain has been full of Cadence for the last six months. It’s time to give it a temporary rest, while I pursue some other work.

If your work is starting to look like a blur of green, step away from the forest. When you return, it will be that much clearer.

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Celebrating the fact that I’ve been writing every day this week!

As I alluded to in this post, a writer can make use of the rigors of daily life as a tool.

Thinking about rigors, I realize most emotion springs from one thing: CHANGE.

Some people don’t like change. They think change is bad. If you’re old, you want life to stay as it was “in the good old days.” If you’re young, you don’t want to leave your mommy and go to school all day. No matter what the scenario, if you like a situation and it changes, the immediate reaction is of repulsion.

Let’s face it; change is damned scary. You’re enjoying your life, comfortable in the status quo, when suddenly a gust of wind (change) knocks you off your moorings and into the unknown.

How dare there be change! Right?

Writers should take advantage of the gust of wind and note their emotional response.

Example: Your marriage of many years threatens to disintegrate. You get news that a close family member has a life threatening medical condition. You make one small mistake and end up totaling your car.

It would be SO EASY to wallow in the emotion of your change. For example: damn it, but I’ve given him two decades of my life! or how will I live without my mom? or I hate walking, and that guy (uninsured, of course) in the other lane is a jerk for hitting me! Instead of marinating in emotion, write down the emotion of your change; the hurt you felt when you learned of the infidelity, the vulnerability of abandonment, the loss of your family member, the rage you feel knowing the insurance won’t cover it and you have no money. Your characters will need to express these things, once you, Author-Person, gets down to the business of weaving the bits of your ideas into a viable story.

It doesn’t have to make sense; it doesn’t even have to be sentences or paragraphs. It doesn’t take long, and it doesn’t have to be pretty. On the off occasion when I don’t have a notebook, I’ll jot down my winds of change in my iPhone notes.

There is only so much time in a day. Make use of it.

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Once, two, maybe three years ago, I suffered from a case of Lack of Writing. I refuse to call the inability to string a series coherent sentences outlining character and plot ‘writer’s block’ – I wasn’t blocked as much as I was overwhelmed/tired/bored/busy/juggling/severely ADD. After several weeks (or maybe months) of N-O-T-H-I-N-G – not a chapter, not a paragraph, not a word, I emailed my ED, throwing him an SOS. I couldn’t believe I was without WORDS. Nice guy, he offered an online intervention, but since I haven’t been able to sign into my Yahoo! account since 2009, getting to the messenger for my wake up call was daunting.

He probably could have called me to jump start my flat-lined ambition, but he didn’t have to. While in the middle of figuring a way around Yahoo! (lowly step-brother of that demon-child Google), something happened. Something epic.

I began to write.

There was no “ah-ha” moment, no light bulb over my head. No dynamiting the log jam, or self-abuse. Somehow, some way, without prompts or nudging,  somewhere in the puzzle of getting hooked up, I wrote.

I must admit that I do love a good writing prompt. I have a whole book of them I can turn to in case of brain freeze. A writing competition is a great tool for getting the juices flowing, especially if you get a friend or two involved. But sometimes LIFE is more than enough impetus to write. Even if it threatens to bury you. (Especially if it threatens to bury you.)

The past few months have found me in that lazy/overwhelmed/tired/bored mode. Sometimes it’s  hard to get excited. Sometimes your creative energy is sucked out of you. Many times there’s no TIME. Writing, as all my  creative pursuits, is an indulgent luxury. (I hope it always is.) Many pressing tasks stand between me and my computer and three hours of peace and quiet. I’ve taken to notebooks and writing quickies when I have a minute to spare.

This is my life the last few months: business, people quitting, friends and family contending with illness or other challenges, drama and more drama, money (or lack of), a crumbling house, the police and jail (don’t ask) – with all this Real Life to contend with, how can I NOT write? The only things I haven’t experienced in the last few months would be dragons, murder (although someone did threaten my husband’s life), and vampires, but there’s always tomorrow.

Today my temporary Lack of Writing has officially ended. I’ve been writing like a fool ever since.

Look out, world.

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It’s a beautiful Sunday in the neighborhood, and while the sun shines and the temperatures are mild, I figured I would get up early and finish weeding and planting my vegetable garden. I made significant progress yesterday and want to finish NOW, so I can enjoy the fruits of my labor.

Gardening used to be a lot easier when I was young(er). I bounced out of bed today with an aching shoulder and a bum knee. Still, I’m on a mission – to eradicate weeds and plant more tomatoes. (Sorry. It’s my Army brat upbringing. Plus, you can never have too many tomatoes!)

On my way to locating my tennis shoes, which were next to my laptop and a six inch pile of printed manuscripts waiting for me to edit, I noticed that my dog had a gastronomical accident. On two pieces of paper that had escaped the tower of editing. Those two pieces of paper happened to be my query. On the query I sent to and received back and edit from a Big Name Agent as part of the Writers Digest class I took on querying back a couple of months ago.

Nothing says “YOU SUCK” better than runny diarrhea on my corrected query.

This, my writing friends, is an omen. First of all, I should have never left my query on the floor. Secondly, I should have spiffed it up and produced a better query from Helpful Agent’s notes a long time ago. Thirdly, I should really impress upon my husband that feeding the dog steak bones and whipped cream is not good for a Boston terrier.

Of course this disaster could be a more serious omen. Like God telling me I should ditch that particular manuscript (FINDING CADENCE) and perhaps channel my time more wisely into something that has more than a snowball’s chance in hell of making it past an agent’s assistant. Or maybe that I should give up writing altogether.

Yeah. Giving up. That would be the easy way out.

After I finish my urban farming, I’m going to work on my edits, dammit. And I’m going to make serious headway.

Because somewhere in my email, I have a copy of that edit from Helpful Agent.

Take that, Powers That Be. Your nasty little omen is powerless against this writer.

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I have to admit this, but as a writer, I’ve been really bad.

No, really, really bad. (Note the use of that adverb. It’s doubled, italicized, and bolded for a reason.) In fact, I’m almost a non-writer.

I won’t go into the grim specifics, but let’s just say that Real Life is kicking my ass.

The older I get, the more I realize there aren’t enough minutes in a day. Honest to God, it was just February and my return from the San Francisco Writers Conference last week! Wasn’t it?

I have three edits printed and waiting for me to slice and dice. Okay. So I did get to one of them about a month ago and made some significant progress, but then… yes. I ended up nowhere near my computer as I raced from one end of the world to the other.

So what do you do when life bitch-slaps you and leaves you with no time?

This is what I’ve been doing.

1. Write in my little notebook. The one I carry in my purse, religiously. I jot down ideas, lists, emotions, character traits I want to use later. Names. Places. Smells. Sights and sounds. It takes just a second. Sure it’s not a novel, probably it’s not serious, but every little bit helps.

2. Read. Here, I’m not doing so well, even with Kindle on my iPhone. BUT… I have discovered Audible.com. I am listening to THE FOUNTAINHEAD by Ayn Rand. I’m up to Chapter Three. I mostly listen in the car or…

3. While exercising. Because if you’re not going to exercise your brain, you might as well work out. Not that working out has made this aging hipster a babe. In fact, while losing a pants size, I have gained two pounds. Go figure.

4. Channeling my creativity to other endeavors. You don’t know how beautifully I can scrub soap scum off my shower tile. Of course, I have to break the chore up into four days. I can’t hack away in one sitting. Cooking is another way to expand on creativity, and it doesn’t take much time. Cooking, however, is fraught with pitfalls. According to my husband, who rails against my creme brulee or cherry duck, I should stop cooking altogether. But when I do, he gets mad.

5. Gardening. It is somewhat time consuming, but at least there are edibles at the end of the season.

6. As a writer, you should give yourself a simple, stupid-easy to accomplish task to achieve daily. Mine is THIS. I know. It’s frivolous, it’s silly, it’s dumb even, but it only takes me five minutes.

7. Buy a tool to help you in your quest to write. My current is 642 Things to Write About. I picked this book up at the airport in San Francisco on the way back from the writers conference (like I needed extra books? my bag was stuffed full of books -and wine), for a couple of reasons: 1., I am a HUGE Chronicle Books groupie, and 2., I often find myself without writing prompts. In fact, I just filled out a page yesterday.

Writing during real life can be done, although, the road isn’t exactly a scenic drive on new asphalt.  When the bulldozer threatens to mow you down, push back, even if the only tool you have is a child’s beach shovel.

It’s the only way to write.

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Get this: I have a finished manuscript on my hard drive, one that I really like, one that I slaved over for YEARS, one that I think is ready for the Big Time (at least, for publishing), one that I have stripped and clipped and polished and buzz sawed and tightened and dreamed about, and I’m at an impasse. I can’t seem to get myself to send it to query.

Why?

Because although the manuscript is good, my query is not. And I’ve been laboring over the query just as hard as I have the actual story. Yes. I started working on the current incarnation of my query letter in December. I even took a Writers Digest webinar on query letters, and received an edited copy of one of my incarnations back from the agent holding the class. I also have several writers who were kind enough to critique my letter, writers from many different genres. And I gave the query letter to my MR. ED, hoping he could add his own spin.

I’ve researched the masses and masses of info online, for hours and hours, and have come away with killer headaches every time. I’d pull out my hair, but I don’t have much left. I can’t spare a single strand.

I honestly have at least a dozen different query letters for the same query, ranging from bare bones, here’s the story, here’s my contact information, to business letter snappy, to a mini-synopsis wedged into two paragraphs. I’m not happy with any of them. (I’m happy with the story, not with the queries.)

The query letter is a fine art all its own. A good query letter conveys a great pitch. Katharine Sands (high powered agent whom I’ve met and observed in workshops) says the pitch must ‘pop.’ It has to sustain enough pizazz to capture an agent’s attention, leaving God (I mean) he or she, clamoring to read more. I understand that publishing is a business and businesses survive only by making money, and that agents and publishers tend to gravitate toward that goal, meaning a manuscript and a writer who is succinct and shows promise. Querying is very much like selling your idea.

You know me, I’m not much of a salesman.

Honestly, what if your story is ‘pop’-less? What if it’s not about dragons, demons, vampires, dystopian future worlds, wild bondage sex, wizard man-children, war, pestilence, charmed city girls with a closet full of designer shoes, or impudent teenagers? What if it’s about a woman and her personal struggle, internally, within her friends and family, and/or with an external force dogging her? (Novels I like to read, by the way.)

Enough of my rant: It’s Monday and I have a minute. Quickly (before the phone starts to ring), I will list a few things I would rather do than write a query letter.

1. Laundry.

2. Vacuuming.

3. Dusting.

4. The dreaded once a year pelvic exam.

5. Picking up dog poo.

6. State audit.

7. Day Job work.

8. Working on the new manuscript.

9. Devising a complicated spreadsheet for the other half.

and last but not least:

10. Poke a needle in my eye.

Enough of my bitching. I have a bookmarked page I must peruse.

Onward and upward, query.

 

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In addition to writing – like I have time for other pursuits – I also create jewelry. It started out a simple diversion with pretty beads, but has now grown into a monster of another color. I love rocks and stones, I like copper and silver (silver especially now that the price has plummeted.) My creations are, how do we say this? Not mainstream. It’s not exactly steampunk either. Like my writing, it’s… me. Singular, unusual, and me.

Okay, it’s more than a diversion and you twisted my arm; call me a jewelry artist. A crazed one.

Each Tuesday during the school year, I take a metals class at the local art center. This is known as three hours of ME TIME. I’m a busy woman; if I didn’t consciously manufacture time for writing, working out, gardening, cooking, or cleaning, I would not write, I’d be 300 lbs., my yard would be overgrown, I’d subsist on fast food, and you wouldn’t be able to see the floor through the cat hair. That’s why I carve out one teeny, tiny three hour niche for playing with wire (and fire).

My latest endeavor once I get to class is going through the discards box, which normally contains about 50 lbs. of copper scrap. Copper is the provided metal of choice for this studio. (Honey, if I work in silver and there are leftovers, my bits and pieces goes into my own personal scrap pile.) The failed pieces of other classes, twisted wire, sheets of fire patina flat stock, shards of cut copper triangles that are sharp enough to be used in an operating room, I scavenge through for just the perfect shade or color or twist. I especially love the wire I pull out of there; you can’t replicate the compaction and then the freed wire squiggles, even if you tried.

I take home my little gems of garbage that start out like this:

wire

and sometimes I end up creating something like this:

twistedbracelet

It’s the same with writing.

On my computer hard drive, I have bits and pieces of creative moments. Maybe they’re not well formed stories. Maybe they’re failed stories or the beginnings of ambitious novels. Maybe they are observations or opinions or love letters or chastising treatises on the human condition. Maybe they are parts of poems or the chorus of a song that I wanted to finish once I came into close proximity to my guitar. I have a file of interesting names, places, restaurants. I might note the debris on the beach or the sway of black-eyed Susans in the wind or the roiling energy of clouds before the impending storm.

As a writer, there are always times of self-doubt and self-loathing. Unless you’re a big name author, and a super smart one at that, you’re going to find that writing is hard work. You might love your work, but someone else cuts it down. Your real life might take a turn for the worse and you may want to blow up the entire works as a result. I know of writers who delete and start over.

I’m not that type of artist. I can’t be; I’ve invested too much in my art. I don’t have a lot of free time, and I especially have little time to create anew. Besides, it’s worth it to poke around in the scrap pile. From my perspective, some of the best art can be culled from the depths of the trash heap, re-worked, re-purposed, spiffed up and shined to a glossy finish.

It is so worth the effort.

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