I spent this morning outside weeding. I’m so far behind. We went from winter to summer and back again four times in the last six weeks. There’s been no spring in this part of the world, just extremes.

I’m an urban gardener, not a hardy nutjob. If it’s not 60 degrees plus and sunny, I’ll wait for another day… or another year.

But finally, the gods decided to smile on me and I’ve been out in the yard since Friday. But today has been brutally relentless on the allergies. The pollen is so thick, you can cut it with a knife and feed the hummingbirds dessert for the next two months. By 10 a.m., most of my body was itchy, my tongue had swollen, my nose was a running faucet, and I couldn’t even smell the dog taking her doggie duty inches from my little trowel.

Benadryl

So I opted for relief. I took a mid-day Benadryl.

I don’t normally ingest this wonder drug in the middle of the day. Night time is the right time for Benadryl. That’s because eventually you will lose your will to remain seated in an upright position and will need a comfy bed to crash on.

I once made the ghastly error of taking two of them at once. It was a bad year for hay fever. The kids were little. I’d loaded them up into the minivan and drove to a not-so-nearby nature center, where we would hang out and have our dinner.

Not so fast…

It took a half hour, but I realized I had to get home…NOW. I told my son if we didn’t make it, he was to take my cell phone and call 911 and have us rescued. We managed to make it home safely, where I went directly to bed and didn’t wake up for 18 hours.

I normally power through allergy season, but today, I couldn’t stand my situation one minute longer. I’m fairly certain my neighbors were tired of my scream-like sneezes too. So I ceased all gardening and ingested a Benadryl.

You don’t win-win with Benadryl. You win a little, lose a little. See what I mean?

Mid-day Benadryl upside: My tongue has shrunk back to its normal size, meaning a trip to the ER on a holiday has been averted.

Mid-day Benadryl downside: I can’t concentrate. I was going to work on edits. I might still, but I can’t be responsible for what pours out of my head right now.

Mid-day Benadryl upside: I’m feeling oh-so-mellow. I’m smiling.

Mid-day Benadryl downside: I could take a nap anytime now. NOW would be good.

Mid-day Benadryl upside: It’s a holiday! I could nap if I want! Hurrah!

Mid-day Benadryl downside: When I type Grand Rapids, it’ looks like this – Gtsnf Ts[ofd/.

Mid-day Benadryl upside: I won’t need that cocktail later. Because I’ll likely be napping.

Mid-day Benadryl downside: I really don’t feel like running today.

Mid-day Benadryl upside: I’m at work, the phone is ringing off the hook (it’s loud and annoying), but I’m not annoyed. I don’t care!

Mid-day Benadryl downside: I probably shouldn’t use any equipment that involves sharp edges, flames, or precision. Which means I probably shouldn’t work on jewelry either.

That’s about all the hilarity I can stand for now. I have to drive home while I still can.

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12-16 willow

It might be strange to say out loud, but I’ve never been without a thought of death.

My first memories of death were when I was a child. My sister contracted encephalitis. I was 7 or 8, she was 5. She was in a coma for two weeks. The doctors thought she was going to die, and so they brought my soldier-father home to Arkansas from Korea, where he had been deployed.

I remember sitting beneath an open window with my 3 year old sister, digging in the dirt. My mother was inside the kitchen, on the other side of the screen, talking to a neighbor about how ill the middle sister was. “She might not make it,” I overheard her say.

Instead of being sad, my childish selfishness flared up. I laid claim to my dying sister’s dolls, while my younger sister wanted to score her underwear.

(Our plans were for naught. My sister recovered, was showered with more dolls and toys, and is still alive – many decades later – today.)

In high school, I suffered from teen angst. My mother was nuts, and I wasn’t popular. I wasn’t exactly suicidal, but I often imagined myself “gone” – in another world, a hopefully better one than this one. I walked in the middle of the highway, daring cars to hit me. (Okay, so maybe I had a death wish.) Once I got my drivers license, I visualized violent crashes if I just veered off the road, just a little bit. It could happen. I could be a statistic. This wasn’t a once in a year thought; I thought about it every time I got behind the wheel.

What would my parents do? My siblings? Would the hole at the kitchen table leave a hole in their hearts? Would I be here today, gone tomorrow, a wisp of a thought no one gives a damn about?

I still wonder about cars. After all, three thousand pounds of careening metal is a deadly weapon. Most people are stupid drivers. La-dee-daaahhhh…. On the other hand, I’m a diligent driver, probably because of my Real Life business nagging me on my shoulder. I scan ahead, behind, to the side. I watch for overpasses, on the hunt for kids who think that hefting a large rock onto freeway traffic might be a fun diversion. My “cushion of air” is big enough to fit three cars around me, and I drive like a granny.

But I still think about dying.

Death is a good topic to address in any writing. We are drawn to reading and writing about it. Why? It’s easy to read and write about, because then we aren’t talking about it. Dying is the Big Unknown. No one wants to discuss it, not out loud anyway. I had to drag my husband kicking and screaming into the conversation just to get him to face facts that our will was dangerously overdue for revision, and that only took ten years.

And then there are thoughts deeper than which kid will get what: Is there heaven on the other side? Hell? God forbid, NOTHING? I personally believe in reincarnation AND ghosts. I’ve had visions of me being in other places, in other times, and this was when I was quite young and had minimal access to media. After my mom died (unexpectedly), I believe she spent a year floating from one child’s house to another. It was as if she wasn’t quite finished with us yet, like she was checking on us. So yes, when I go, I’ll be back.

🙂

After you’ve considered your own after-death fate, you wonder about the survivors. Will the husband remarry? Will the kids forget about you? Will there be knock-down, drag-out fights over what remains? (Death has a way of making people go crazy, remember?) Will anyone visit your grave? (That’s not so far fetched.) Will they know how to make your world-famous chicken soup, or will they ruefully wish they’d paid more attention?

I’ve noticed that in my writing, either someone has died or is dying. My first stories revolved around the survivors and how they reacted. I’m old enough where I’ve seen lots of death. Grief reactions are so varied, you really have to scratch past the surface and investigate why the person has reacted that way. There’s always a reason. Sometimes it’s a good reason, sometimes it appears crazy, but later, it makes sense.

Now I tend to write about people who are dying or are considering suicide. Being sick with a terminal disease sucks; so is being hopelessly depressed. I am neither, so it’s difficult for me to imagine confronting Death knowing your days are numbered and your seconds are ticking by faster and faster. Still, I’m getting to the age where I have to think about it.

All of this translates into good material.

Every night I go to sleep and the words of the nighttime prayer come to mind:

Now I lay me down to sleep

I pray the Lord my soul to keep.

If I should die before I wake

I pray the Lord my soul to take.

I am amazed and happy every day I wake up.

Another day gives me another chance to write.

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Yesterday was Mother’s Day.

I don’t have a mother (anymore, not since 1992), so I usually take this day to ruminate on my mother’s parenting skills, her cooking skills, her financial skills, her communication skills, and her maternal instinct, and come up with the same conclusion: She wasn’t very good at any of those things.

Oh, I’m not bitter about it. She might have been flawed, but I’m not the type who would blame my entire life circumstances on the fact that she might have been severely bipolar and/or maybe even evil. I miss that she wasn’t here more than I rue the fact that she wasn’t June Cleaver.

Not even close.

Yesterday would have also been her 82nd birthday. Here is the photo I posted on Facebook for the occasion:

mommy

Despite the bittersweet day, I’m not going on regarding emotions. I can blog forever about parent-child relationships and how it is to live with a crazy woman.

Instead, let’s devote today’s talk to F-O-O-D.

There are only two days a year where I refuse to cook. One is Easter; the other, Mother’s Day. On these two days, I prefer to hit up a high-end brunch and get liquored up on mimosas and all the prime rib and shrimp cocktail I can eat.

It is sad when I do not get my Mother’s Day brunch. Three years ago, I made a reservation at a VERY nice restaurant for Mother’s Day brunch. My husband and I had enjoyed a very nice anniversary there the September before. We loved the place. Good food, good service.

I called in my reservation two weeks before Mother’s Day. I provided the hostess with a credit card number (on the very slim chance that I would no-show my brunch. As if!)

We arrived at the very crowded venue in chi-chi Birmingham with time to spare. Enough time for the rudest hostess ever to tell me that we didn’t have a reservation. And couldn’t get me in. ON MOTHER’S DAY. Nearly in tears, we stopped at Papa Joe’s market on the way home. They saved the day with their own prime rib.

This year, my daughter is home, which is lovely. This year, Easter was cold and blustery, which caused a dissent regarding another brunch outing. In fact, I was outnumbered. “I hate eating around children.” “I don’t want to drive that far.” “You mean I have to get dressed up?” “This cuts down on my outside time.” I’ll let you figure out which family member declared which silly sentence.

I hate being worn down, so I said, “If you don’t want to go out to brunch, I’ll accept a Lobster Gram.”

Sold!

Sure they were sold. I ended up making the lobster. And the twice baked potato. And the cocktails.

And my lobster did not resemble this lobster tail/tale from another time:

lobstah

That’s because we had whole Maine lobstahs (which I love).

With whole lobsters, you must know how to dismantle them. It’s been a long, long time since I’ve been near one. Which is why even with crackers, a hammer, and various other gadgets, extricating the lobster meat was messy.

Lobster guts were everywhere! All over the table (should have laid down a tarp), all over the walls, all over my hair and glasses.

It was hilarious…and tasty… but that’s only because I haven’t cleaned up yet. I’m hoping the animals will take care of the floor.

Next year, Mother’s Day brunch for sure!

 

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This is the million dollar question every writer asks herself as she sets about telling her story.

What do readers want most? Entertainment? Believable characters? A trip to a faraway land, another world, or another time? To experience a situation that would never happen to them in Real Life?

There are several books I’ve read over the course of many years that stick in my mind. The Prophet by Kahlil Gibran is one of them. It’s my go-to book when I’m on an emotional roller coaster. There is so much truth in this little book with its small, poetic chapters…for me, it’s the Bible of common sense and how to live.

I have been thinking about this as I finished Eden Springs by Laura Kasischke, one of my favorite novelists.

1lkasischke

Why am I still thinking about this book days after finishing it? It’s a small book (novella length), it’s a period book (Michigan in the early 1900’s), it’s a departure from her usual novels about broken people. I shouldn’t have even liked it.

I’ll tell you why I love this author, and others who write like her.

1. Her words are poetic without being purple. She does wonderful things with them. Not verbal gymnastics, an in-your-face exercise, but more like a beautiful, slow ballet. Of course, I’ve always been a sucker for an artful turn of words, which is why I love singer/songwriters like Joni Mitchell and Bob Dylan.

2. Her characters are so believable, you can’t help but wonder what happened to them after you’ve reached “The End.” I still think of the survivors of In A Perfect World. Other talented authors like T. Greenwood and Michelle Richmond also populate their stories with very tangible characters.

3. I have the distinct impression (and I could be wrong, I’ve been known to be wrong about lots of stuff) that she writes from her heart. She’s not writing for an audience, but rather for herself, for her craft.

And now I am opening the floor. What about you? If you’re a reader, what makes a story stick in your mind? If you’re a writer, how can you conjure your words to achieve the same effect?

 

 

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If you know me and/or follow me on Instagram, you would realize that I’m quite the foodie. (Instagram because I’m totally addicted to food porn. Most of my photos are food I’ve eaten, food I’ve made, or food I wish I could eat.) I especially love local dining, no matter where that might be, and regularly seek out holes-in-wall-restaurants that are gastronomical diamonds in the rough. I honestly do not get fast food (although I will falter and succumb to a Big Mac or KFC once a year), or chain food (ICK!). I mean, really…if you’re in San Francisco, why would you grab a coffee at McDonald’s or Starbucks when there are so many local java huts? Why would you eat at PeiWei when there are literally thousands of Asian restaurants within a 49 square mile radius?

I have taken my food snobbery to other, decidedly smaller venues. Everywhere you go, there are local restaurants who attempt to maintain cuisine that is true to the area.

Food is more than fuel or comfort; it’s art in its own special way. In order to experience the art, you may have to travel outside of your comfort zone. Way outside.

mipueblo

Which brings me to this cheese smothered “California” burrito which I half ate last night. (Daughter got the leftovers.)

I’ve lived in the Detroit area for nearly 30 years. Detroit has quite the Mexican community. A Mexican Town, even. I HAVE NEVER BEEN TO THIS AREA UNTIL LAST NIGHT, when I suggested we go to Mi Pueblo (technically Southwest, not Mexican Town) for dinner.

Why not?

Well, for one thing, this area of Detroit is not one of the best. It’s industrial. It’s gritty. It’s DEE-TROIT. Buildings are covered in graffiti, every third house is burned out – in other words, it’s soooo not suburban Royal Oak.

It’s also far from the main drag and a freeway entrance, making it scary for my husband.

But I (and the daughter) was craving a super burrito something fierce. Something genuine, or a reasonable facsimile of it.

Okay, so the “California” burrito pictured above was not a real San Francisco Mission burrito, but it was close enough. The rest of the meal was tasty. Mi Pueblo makes their own corn tortillas. The margaritas were decent. Our waitress was excellent, quick, friendly, helpful.

Now, what does this dinner have to do with writing?

As I mention in this post, sometimes as a writer, we must go to places (physical or psychically) where we are not familiar. Sometimes we want to take this trip; but other times we are pushed into it.

Either way, if you don’t take that leap of faith, you will never know.

Good artists and good chefs will push the envelope. They’re not afraid to try something new.

The best food snobs will eat just about anything – once.

The best writers keep their minds wide open to new possibilities, whether they jump or are pushed off that cliff.

🙂

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eyeroll

This is a photo of me attempting an eye roll. I’m no good at it anymore.

You’ve heard all the writing talking heads.

There is one school of thought: You’re a writer, you write. You write every day. You write for money. You write to sell. You don’t give anything away. Your sole purpose for writing (besides telling a good story) is to get an agent/contract/publishing house and make it into the big time.

There’s another school of thought: You write because you’re an artist. You might write to hone your craft, or when you are seized by whimsy. You write to create a world, perhaps beautiful, perhaps stark. You write because you enjoy it, not because it’s a job.

Either way, there must be a thread of inspiration. Sometimes it comes easily, sometimes not so much.

I had a very uninspiring 2014. Too much drama, too many bad things visiting me all at once. When it rained, it poured, and poured again. My inspiration was frozen, like a freighter in Lake Michigan in mid-January. Stuck. It sucked.

When my kids were little, I started what I called Forced Family Fun Night. Usually, it was Friday or Saturday. We’d have our meal together, and then take turns picking out and watching a movie. Or we’d go to the symphony en masse. Or we’d go golfing or bowling. The point was to make an appointment to be with the family, the entire family, one day a week.

I can’t believe it, but my kids did this (albeit somewhat grudgingly) until they graduated from high school and flew off to the West Coast for college.

The point is this: sometimes you must force inspiration. Sometimes the Muse (or whatever you want to call it) doesn’t light on your shoulder  and sprinkle you with fairy dust. Sometimes you have to part a sea of self-doubt and beat the ideas out of your dusty, drafty head.

Sometimes you have to go to a place you don’t want to go to and experience something you’ve never done before. Step outside of your frozen comfort zone and off the cliff. The best inspiration comes from putting yourself into an uncomfortable situation.

And me? I’m going there. Right now. Write now.

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wordsWhile I was at the San Francisco Writers Conference in February, I sat in on a few workshops with my favorite author (well, definitely in the top three!), Michelle Richmond. Not only does she NOT outline, she doesn’t write in a linear fashion. (My kinda writer. An organized pantser.)

Another news flash: She also writes what she doesn’t know.

I know, I know. Writers are often told to embrace what they know and write about that. This was the first time a major author told us to consider writing what you don’t know.

I can see the value in this. First of all, if you are penning fiction that closely follows what happened in Real Life, you will often receive critiques. “This is unbelievable!” and then the resultant response, “But it really happened!” “But it’s not real!”

Good Lord.

Sometimes Real Life is too much. Real experiences sometimes are too graphic. A fictional story might be based in fact, but it doesn’t require an angst overload. However, your story does need enough conflict to keep the reader interested.

A little careful teasing helps here.

Also, if we are too familiar with a story, if we write more as a journalist instead of as an entertaining storyteller, we will focus too closely on the facts, to the exclusion of other possibilities with your story.

My novels are based in part on Real Life. The Virtual Moms are my fictional adaptation of the Beanie Mom online group I’ve belonged to for nearly 20 years. In some cases, a personality might be loosely based on one of my friends, but in other cases, I found I had to jazz up some of my characters. Give them recognizable quirks and personalities that are uniquely different from my real friends. I also had to come up with a plot that while it might have been plausible, it definitely did NOT happen to us.

The same holds true for Finding Cadence. People who know me saw my house as Cadence’s house; they knew which high-profile attorney I used as a muse for my antagonist; my son attended the San Francisco Conservatory; I grew up in Colorado. Most importantly, I’ve experienced that love and loss, the close but strained relationships between mother and child, spouses, and sisters.

But I had to change it up, and I did. I don’t write memoir; I write fiction, and most of the tale is just that – a story I concocted in my head.

Michelle Richmond writes what she doesn’t know as a way to get her to step outside herself and what she does know. She confessed that Golden State was written in this way. It’s an excellent idea, which requires the writer to research. Research equals found knowledge. The writer sees things from a different angle of the life prism. Not only does it expand the writer’s world, it expands the scope of writing.

After I get my current edit out of the way, I’m working (using the Paperclip Method) on the next story, which is now in bits and pieces. I think I’ll step way outside of my comfort zone and write about what I don’t know.

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