Front Cover.3518981

Why do you read? To be transported into another world, another time, another set of circumstances? To be entertained? To be frightened out of your mind or to feel deep emotion? To learn something new?

Why do you write? To tell a story? To escape from your Real World? To impart knowledge? To entertain?

I think most writers begin with an overwhelming urge to tell a story, whether it be theirs or someone else’s. They start with a ‘what if’ and move on from there. I know that’s how I started. I’d never completed a novel before (my basement is littered with boxes of quarter-written ideas) – my impetus was to get to those magic words “The End.”

It took me a long, long, long time to achieve that goal. Writing is exhausting, especially the first time around. First drafts are usually awful; mine was about as bad as a first draft can get. I made every mistake in spades. Many times over.

But it’s not over with the first “The End.” During the rewriting process, a good writer will pick over the bones of their work. They’ll tease out the good and round-can the bad. Then they will discover themes and plot twists and parallel story lines and a whole host of other interesting things.

Have you noticed that the best novels have stories and characters that stay with you, long after you’ve finished the book? Every novel has what I call a “takeaway,” or what the reader will discover beyond the initial story. Sometimes the takeaway is blatant. Love conquers all (the romantic takeaway).

Example: I finished “In a Perfect World” by Laura Kasischke, and was immediately moved. So moved, I told everyone about this book. So moved, I even lent it to friends (I never lend books to friends, certainly not favorite books). I still think about the characters, and it’s been years since I’ve read the book. Why? The characters successfully moved beyond their initial circumstances and grew into strong women. Every once in a while, I’ll think about them. Did they survive? Did the world?

The takeaway? Even in the midst of crisis, you can dig deep inside and find strength. (Whether or not the strength is enough, remains to be seen.)

Without going into detail and spoiling the fun, I can give you the takeaway to my novels:

Virtually Yours: Things on the Internet are not as they seem. Friendship ebbs and overflows. Love conquers all. 🙂

Finding Cadence: Once you’ve hit bottom, the only way to go is up (of course, that journey might take some side-trips). People are not what/who they seem to be. Friendship overflows and ebbs. A scarred heart can love again. Or at least see that goal in the future.

When writing, I didn’t consciously put these takeaways into my work. I was too busy birthing these babies to notice what the hell I was doing! It was only after rewriting, editing, and discussing my stories with my ED for life and others did I realize that I was trying to relate something more than the story.

A good story contains a depth that will resonate with the reader long after they’ve finished the book. A finely crafted novel is just that – crafted. Toiled over, worked over, picked over and put back together. Unless you’re very lucky or very smart, you can’t do it in a minute.

Currently editing my next novel, I know that producing it will take a lot of thought.

After all, I’m telling more than just a story.

🙂

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I try to visit the Bay Area a couple of times a year. Besides loving NorCal, I still have a child living in San Francisco, which makes visiting a requisite. The San Francisco Writers Conference is the mandatory February trip, but just about any other time of the year beats Michigan weather hands down – yes, even the San Francisco summer fog-in.

After last February’s conference, my son and I took a trip to Marin County, to visit Muir Woods (fabulous place! Go there if you can before you die.) and hit up some coastal eating. I enjoy walking on beaches – Ocean Beach being my favorite cityside beach – but every beach is different. Some are wide, expansive, and flat, like Ocean Beach. Others are rocky and treacherous. Most are in between. Cliffs line most of the coast. A straight one thousand foot drop off is not beach blanket bingo material. Northern California beaches are what I would consider ‘rustic’ – you won’t see fish taco stands and amusement piers, and the surfers are in wet suits, not bare-chested.

I’m so old, I now only travel with sensible shoes. Muir Beach is a spot of a beach. The part closest to the parking lot is sandy and relatively flat, and I took off my hiking shoes to enjoy the sand.

My son decided to explore the area just north of the main beach. Of course, he didn’t tell me; he just stalked off. Since he is over six feet tall with lanky legs and I am but a midget, I struggled to keep up with him.

The tide was out, exposing extremely rocky terrain, a complete 180 degree departure from a few yards away. Black boulders sported thousands of edible mussels. Suffice it to say, there were more small, pointy rocks on this beach than there was sand. Maneuvering the area was like walking barefoot on a carpet of hot Legos. Between huge rocks and small rocks, there was nothing of note to grab onto. Call me stubborn (I am) but I decided not to put my shoes back on. (Bad move.)

As luck would have it, because I’m old, not very spry, and because I have no good luck, I lost my balance and fell.

Falling at my age is a risky proposition. Oh, I’m beyond embarrassment. Who cares about a momentary social faux pas? I could break something I really need – like my legs. Or my head.

Before a nice young man (not my son) came to assist me to my feet, I happened to look to my side. I saw something I had never seen before on a California beach.

Sea glass.

You don’t understand. I’d been visiting California for years. I’ve found lots of things on the beach, including shells, sand dollars, garbage, driftwood, a starfish, crab bodies, even a bloated and rotting sea lion. I have never once found a piece of sea glass worth putting into my pocket.

After I had been righted into a supine position, I yelled at my son. We had hit the sea glass lottery. I instructed him to pick up any glass he could that was bigger than a speck.

This is what we came up with.

seaglassoriginal

Since February, I had stashed my sea glass in a used Altoid’s container, waiting for creativity to strike me like lightning. Every so often, I would take the glass out, compare each piece, turn it over in my hand. (I do this with stones, often. Before I set something into a piece of jewelry, I let the stone speak to me.) I would think about where the glass originated, what journey it took to end up a smooth piece of silica on a Northern California beach. Who drank from that bottle? Who tossed the container into the trash? Did it come from Asia, or somewhere closer? And how was I so lucky as to literally fall on it during a challenging yet pleasant walk on the beach with my son?

Finally, the glass spoke, and this is what I came up with.

seaglass1

(Currently on my neck and not for sale. Yet.) 🙂

seaglass2

Here’s another one. This one is going in the booth at the Ann Arbor Art Fair this week.

Here is what we need to remember as artists: Sometimes, things are thrown our way – beautiful, ugly, inconsequential, glaring. Sometimes we fall on our ass. Sometimes it takes a while before “garbage” becomes art. Sometimes there is suffering, buffering, tumbling in sand to smooth the rough edges. Sometimes you have to dig deep to find the true story, inciting motives, genuine characters.

The thing to remember is that there is art in every thing.

Even in falling on your ass.

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 As is sometimes the case, aspiring authors occasionally ask me for advice. (!) I know! Last week, I received an inquiry regarding self-publishing using BookBaby. I might not have all the answers, and I certainly won’t have all the right answers, but it’s important to me to pass on information. There’s no such thing as too much info! This also gives me a chance to introduce to you another writer. All stories desire one thing, and that is to be heard.

The Aspiring Author
Obaid Chowdhury’s A Soldier’s Debt is about a 75,000-word memoir retelling his rebellion against his own military, one which committed a genocide against his native Bengali community. Mr. Chowdhury later escaped to participate in the liberation of Bangladesh in 1971. Mr. Chowdhury is currently penning a sequel, one which details specific battle actions that earned him a prestigious gallantry award.
See the YouTube video: https://www.youtube.com/watch?t=14&v=c6WbV-Azwi8

And now, for the questions:
Obaid Chowdhury: The Cover. Should it be soft or hard? Do I need a dust cover; is it necessary? Which is the most cost effective? I have a tentative cover design. But I would like to consult another designer if he can come up with a better and attractive one to depict the story theme.
JH: Cover is key. Check out Joel Frielander’s web site and study it. Each month, he critiques book covers with a fine eye. Pay attention to what he says about art work and font types and sizes. Look for books that are similar to yours and the design. (I did not design my first cover although I had input, but I helped with the second.) You want to tell a story with your cover, or at least convey a theme or define a genre. You want the reader to pick it up if they are in a bookstore, or linger if they are shopping online. Cover designers are everywhere, and most will design a cover for very little money. We have an art college here with a bulletin board and design students will fight for the job. You shouldn’t have to pay more than a couple hundred dollars. Soft covers are best on a budget, unless you have a book publisher for a best friend.

 

OB: Formating and Design. Should I use their in-house services or use an outside professional? Any idea which will be cost effective and better?

 

JH: Book Baby has a minimum formatting guide and you need to follow it, otherwise when you submit, your manuscript will look wonky. I didn’t know about manuscript formatting when I wrote my first book. I just kept writing it using my own formatting. WRONG. This is not to say that you will be stuck rewriting. Seat-of-pants formatting can be fixed, but it’s time consuming and a colossal pain in the rear. Book Babywill only allow one formatting change before it begins to cost you money, so you want to make sure your manuscript is as near perfect as you can before you upload.

OC: Size. Is 6″ X 9″ trade size okay for my project? Do you have any better suggestion?

JH: Sounds right to me.

OC: Paper. What’s best cost effective and quality paper? Is 60lb natural okay, or need a different on to give a better presentation?

JH: No matter who you choose, whether it’s a local book publisher or someone online, don’t be afraid to ask for samples. I published my second book on CreateSpace, but nearly didn’t because I had purchased a CreateSpace book many years before and the physical appearance was sub-par. When I considered them later, I asked for a sample and they provided one. They really improved – the cover stock, the interior pages, the printing, which is why I went with them. I have no idea what BookBaby’s physical books look like, you might want to ask for a sample.

OC:
Interior:  The text will be black. I may have some pictures, maps and charts. They are mostly black-n-white. Any suggestion about their design and/or coloring?

JH: Keep in mind that photographs, maps, and charts will cost money. They also interfere with the formatting of text. Should you decide that photos, maps, and charts are necessary, make certain you have legal rights to use them in your book. If you did not take the photos, you may have to hunt down who did, and ask for permission to use them. As always, credit the photos in the front of your book.

OC:
Editing. My project has been edited by Editoro! Do I still need their in-house editing?

JH: No. Definitely not, you are not required to use any editor. Remember though, you need to send a pristine manuscript to vendors like BookBaby or CreateSpace – they are assuming it’s perfect and are not going to make corrections on a glaring error. Much as I love Mr. ED (disclaimer: he is also my developmental editor) and he is kick ass, I would still run the manuscript by a proofreader, a critique partner who is good at proofreading, or something similar. Do it a couple of times. A dozen times. Your developmental editor will not pick up on typos (YOU will not pick up on typos), misspellings, or weird grammar. I’m terrible at proofreading my own work, and I see where there are mistakes in my first novel. With the second, I went over that (with others) over a dozen times. Get SmartEdit. I did, and run my work through it religiously. It doesn’t proofread, but it reviews your manuscript and adds up how many times you might use a particular word or phrase (redundancy – the bane of the writer). I try to limit my use of a particular word to less than 100 times in a 100K novel (my own personal goal). Smart Edit will question spellings, punctuation and other word problems. I also use it to tighten up my sentences, therefore eliminating a lot of unnecessary words.

OC: Promo & Marketing. How effective is their promo and marketing campaigns? Do the generate sales?

JH: I’m afraid the only entity that will generate sales is YOU. I do not rely on anyone for promo. I tried it, it just doesn’t work. You should follow Frances Caballo  – she is a whiz at social media for authors. I have to say I can barely follow most of her techniques, but you will learn a lot by reading her. Also, before you launch, set up a Goodreads page for yourself (and an Amazon page – I haven’t done that yet, but who has time?).

OC:
BookBaby and Smashwords. Which agency you think better? The problems you mentioned, were they with BB or SW?

JH: I haven’t used Smashwords. I attempted to, but it gave me a headache. 🙂 I’ve heard that it’s now easier so I may give them a spin again. I’ve found BookBaby to be extremely responsive to my questions. Actually, so is CreateSpace. You call them, they call you back. Maybe I’ll give the Smashwords manual another go someday, but I don’t have time, and I’m also not very internet/design savvy.

You can follow Obaid Chowdhury HERE.

 

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About 8 years ago (! yikes!), I belonged to a toxic “social” web site, where the main focus was to be creative, but often the vibes were twisted and borderline abusive. Sometimes scary. However, as with most conditions of the human kind (and some of the cyber ones), there was an upside to contributing to the site. For one thing, my years spent on it charged my creative juices. The friendly (and not-so) banter challenged my thinking. I started writing again, after a long hiatus of taking care of children.

My writing was horrible at first, but having been at different times an English and a journalism major, at least my grasp of grammar was better than most. I hadn’t thought about the mechanics of writing in a long time.

But this web site was self-regulating, by Grammar Police. Some of the critiques were friendly, thank God, otherwise I might have given up writing altogether.

During my last years in, I started writing a serial story about a precocious teenager in mid-1970’s Minnesota. The story started as a lark, an outrageous forty-five minute writing exercise a day of my protagonist’s rather outlandish adventures. After a while, I liked Sioux C. She was me, but with balls. I peppered her neighborhood with my cousins, my boyfriends, and my dreams. I wrote about her as a 20 year old party girl, and I wrote about her as a 45 year old has-been with regrets.

One day, the aforementioned web site appeared to be going down the drain. I was naive back then, and would write directly into the site, never putting my words into a Word document or even printing them out. But the writing was on the wall, and this good time wasn’t going to last long. Before I committed social network suicide, I painstakingly copied and pasted all of the stories into a Word document and erased all traces of her. I started a WordPress blog with the intent of continuing the story there.

In the meantime, I began writing other novels, four and half more. I put Sioux C on a shelf. This was easy, as there really wasn’t any ending to the story. Until a month ago…

Yeah, the light bulb went off above my head, just like in the cartoons.

Now that I had a story line, I decided to dredge up my document and paperclip it, using Michelle Richmond’s technique. Imagine my dismay when I couldn’t find my file!

I use Carbonite (thank you), which I have said many times that it’s the best $50 a year I spend. It’s saved me so many times. I had to dig back into the archives a little, since the last incarnation of the novella was three laptops ago, but I did find it.

(YAY!)

It was easy enough to print out. Paperclipping, that’s another story.

paperclip

I can see now that I have to weave my story line in, and end it to my satisfaction. I can also see that I need to add more dialogue (I hated to write dialogue back then), straighten out more bumps, delete some, etc. I don’t know if I can use the stories I wrote of her in her 20’s or at 45, but that’s a bridge I can cross when I come to it.

These are the things you as a writer can learn from this story:

1. Never throw any writing away. You don’t know if it will come in handy. Maybe not all of it, but everything you have expended energy on has value.

2. Get online cloud storage. I have referred to Carbonite as the granny hoarder of the Internet that doesn’t throw anything out. That’s what you need.

3. Occasionally print your story out. Look at it on paper. Speak it out loud.

4. Buy pretty paper clips. The ones I had in my drawer seem too industrial. Then again, that’s the look I was going for.

Now, to get busy.

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I spent this morning outside weeding. I’m so far behind. We went from winter to summer and back again four times in the last six weeks. There’s been no spring in this part of the world, just extremes.

I’m an urban gardener, not a hardy nutjob. If it’s not 60 degrees plus and sunny, I’ll wait for another day… or another year.

But finally, the gods decided to smile on me and I’ve been out in the yard since Friday. But today has been brutally relentless on the allergies. The pollen is so thick, you can cut it with a knife and feed the hummingbirds dessert for the next two months. By 10 a.m., most of my body was itchy, my tongue had swollen, my nose was a running faucet, and I couldn’t even smell the dog taking her doggie duty inches from my little trowel.

Benadryl

So I opted for relief. I took a mid-day Benadryl.

I don’t normally ingest this wonder drug in the middle of the day. Night time is the right time for Benadryl. That’s because eventually you will lose your will to remain seated in an upright position and will need a comfy bed to crash on.

I once made the ghastly error of taking two of them at once. It was a bad year for hay fever. The kids were little. I’d loaded them up into the minivan and drove to a not-so-nearby nature center, where we would hang out and have our dinner.

Not so fast…

It took a half hour, but I realized I had to get home…NOW. I told my son if we didn’t make it, he was to take my cell phone and call 911 and have us rescued. We managed to make it home safely, where I went directly to bed and didn’t wake up for 18 hours.

I normally power through allergy season, but today, I couldn’t stand my situation one minute longer. I’m fairly certain my neighbors were tired of my scream-like sneezes too. So I ceased all gardening and ingested a Benadryl.

You don’t win-win with Benadryl. You win a little, lose a little. See what I mean?

Mid-day Benadryl upside: My tongue has shrunk back to its normal size, meaning a trip to the ER on a holiday has been averted.

Mid-day Benadryl downside: I can’t concentrate. I was going to work on edits. I might still, but I can’t be responsible for what pours out of my head right now.

Mid-day Benadryl upside: I’m feeling oh-so-mellow. I’m smiling.

Mid-day Benadryl downside: I could take a nap anytime now. NOW would be good.

Mid-day Benadryl upside: It’s a holiday! I could nap if I want! Hurrah!

Mid-day Benadryl downside: When I type Grand Rapids, it’ looks like this – Gtsnf Ts[ofd/.

Mid-day Benadryl upside: I won’t need that cocktail later. Because I’ll likely be napping.

Mid-day Benadryl downside: I really don’t feel like running today.

Mid-day Benadryl upside: I’m at work, the phone is ringing off the hook (it’s loud and annoying), but I’m not annoyed. I don’t care!

Mid-day Benadryl downside: I probably shouldn’t use any equipment that involves sharp edges, flames, or precision. Which means I probably shouldn’t work on jewelry either.

That’s about all the hilarity I can stand for now. I have to drive home while I still can.

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12-16 willow

It might be strange to say out loud, but I’ve never been without a thought of death.

My first memories of death were when I was a child. My sister contracted encephalitis. I was 7 or 8, she was 5. She was in a coma for two weeks. The doctors thought she was going to die, and so they brought my soldier-father home to Arkansas from Korea, where he had been deployed.

I remember sitting beneath an open window with my 3 year old sister, digging in the dirt. My mother was inside the kitchen, on the other side of the screen, talking to a neighbor about how ill the middle sister was. “She might not make it,” I overheard her say.

Instead of being sad, my childish selfishness flared up. I laid claim to my dying sister’s dolls, while my younger sister wanted to score her underwear.

(Our plans were for naught. My sister recovered, was showered with more dolls and toys, and is still alive – many decades later – today.)

In high school, I suffered from teen angst. My mother was nuts, and I wasn’t popular. I wasn’t exactly suicidal, but I often imagined myself “gone” – in another world, a hopefully better one than this one. I walked in the middle of the highway, daring cars to hit me. (Okay, so maybe I had a death wish.) Once I got my drivers license, I visualized violent crashes if I just veered off the road, just a little bit. It could happen. I could be a statistic. This wasn’t a once in a year thought; I thought about it every time I got behind the wheel.

What would my parents do? My siblings? Would the hole at the kitchen table leave a hole in their hearts? Would I be here today, gone tomorrow, a wisp of a thought no one gives a damn about?

I still wonder about cars. After all, three thousand pounds of careening metal is a deadly weapon. Most people are stupid drivers. La-dee-daaahhhh…. On the other hand, I’m a diligent driver, probably because of my Real Life business nagging me on my shoulder. I scan ahead, behind, to the side. I watch for overpasses, on the hunt for kids who think that hefting a large rock onto freeway traffic might be a fun diversion. My “cushion of air” is big enough to fit three cars around me, and I drive like a granny.

But I still think about dying.

Death is a good topic to address in any writing. We are drawn to reading and writing about it. Why? It’s easy to read and write about, because then we aren’t talking about it. Dying is the Big Unknown. No one wants to discuss it, not out loud anyway. I had to drag my husband kicking and screaming into the conversation just to get him to face facts that our will was dangerously overdue for revision, and that only took ten years.

And then there are thoughts deeper than which kid will get what: Is there heaven on the other side? Hell? God forbid, NOTHING? I personally believe in reincarnation AND ghosts. I’ve had visions of me being in other places, in other times, and this was when I was quite young and had minimal access to media. After my mom died (unexpectedly), I believe she spent a year floating from one child’s house to another. It was as if she wasn’t quite finished with us yet, like she was checking on us. So yes, when I go, I’ll be back.

🙂

After you’ve considered your own after-death fate, you wonder about the survivors. Will the husband remarry? Will the kids forget about you? Will there be knock-down, drag-out fights over what remains? (Death has a way of making people go crazy, remember?) Will anyone visit your grave? (That’s not so far fetched.) Will they know how to make your world-famous chicken soup, or will they ruefully wish they’d paid more attention?

I’ve noticed that in my writing, either someone has died or is dying. My first stories revolved around the survivors and how they reacted. I’m old enough where I’ve seen lots of death. Grief reactions are so varied, you really have to scratch past the surface and investigate why the person has reacted that way. There’s always a reason. Sometimes it’s a good reason, sometimes it appears crazy, but later, it makes sense.

Now I tend to write about people who are dying or are considering suicide. Being sick with a terminal disease sucks; so is being hopelessly depressed. I am neither, so it’s difficult for me to imagine confronting Death knowing your days are numbered and your seconds are ticking by faster and faster. Still, I’m getting to the age where I have to think about it.

All of this translates into good material.

Every night I go to sleep and the words of the nighttime prayer come to mind:

Now I lay me down to sleep

I pray the Lord my soul to keep.

If I should die before I wake

I pray the Lord my soul to take.

I am amazed and happy every day I wake up.

Another day gives me another chance to write.

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Yesterday was Mother’s Day.

I don’t have a mother (anymore, not since 1992), so I usually take this day to ruminate on my mother’s parenting skills, her cooking skills, her financial skills, her communication skills, and her maternal instinct, and come up with the same conclusion: She wasn’t very good at any of those things.

Oh, I’m not bitter about it. She might have been flawed, but I’m not the type who would blame my entire life circumstances on the fact that she might have been severely bipolar and/or maybe even evil. I miss that she wasn’t here more than I rue the fact that she wasn’t June Cleaver.

Not even close.

Yesterday would have also been her 82nd birthday. Here is the photo I posted on Facebook for the occasion:

mommy

Despite the bittersweet day, I’m not going on regarding emotions. I can blog forever about parent-child relationships and how it is to live with a crazy woman.

Instead, let’s devote today’s talk to F-O-O-D.

There are only two days a year where I refuse to cook. One is Easter; the other, Mother’s Day. On these two days, I prefer to hit up a high-end brunch and get liquored up on mimosas and all the prime rib and shrimp cocktail I can eat.

It is sad when I do not get my Mother’s Day brunch. Three years ago, I made a reservation at a VERY nice restaurant for Mother’s Day brunch. My husband and I had enjoyed a very nice anniversary there the September before. We loved the place. Good food, good service.

I called in my reservation two weeks before Mother’s Day. I provided the hostess with a credit card number (on the very slim chance that I would no-show my brunch. As if!)

We arrived at the very crowded venue in chi-chi Birmingham with time to spare. Enough time for the rudest hostess ever to tell me that we didn’t have a reservation. And couldn’t get me in. ON MOTHER’S DAY. Nearly in tears, we stopped at Papa Joe’s market on the way home. They saved the day with their own prime rib.

This year, my daughter is home, which is lovely. This year, Easter was cold and blustery, which caused a dissent regarding another brunch outing. In fact, I was outnumbered. “I hate eating around children.” “I don’t want to drive that far.” “You mean I have to get dressed up?” “This cuts down on my outside time.” I’ll let you figure out which family member declared which silly sentence.

I hate being worn down, so I said, “If you don’t want to go out to brunch, I’ll accept a Lobster Gram.”

Sold!

Sure they were sold. I ended up making the lobster. And the twice baked potato. And the cocktails.

And my lobster did not resemble this lobster tail/tale from another time:

lobstah

That’s because we had whole Maine lobstahs (which I love).

With whole lobsters, you must know how to dismantle them. It’s been a long, long time since I’ve been near one. Which is why even with crackers, a hammer, and various other gadgets, extricating the lobster meat was messy.

Lobster guts were everywhere! All over the table (should have laid down a tarp), all over the walls, all over my hair and glasses.

It was hilarious…and tasty… but that’s only because I haven’t cleaned up yet. I’m hoping the animals will take care of the floor.

Next year, Mother’s Day brunch for sure!

 

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