As is sometimes the case, aspiring authors occasionally ask me for advice. (!) I know! Last week, I received an inquiry regarding self-publishing using BookBaby. I might not have all the answers, and I certainly won’t have all the right answers, but it’s important to me to pass on information. There’s no such thing as too much info! This also gives me a chance to introduce to you another writer. All stories desire one thing, and that is to be heard.

The Aspiring Author
Obaid Chowdhury’s A Soldier’s Debt is about a 75,000-word memoir retelling his rebellion against his own military, one which committed a genocide against his native Bengali community. Mr. Chowdhury later escaped to participate in the liberation of Bangladesh in 1971. Mr. Chowdhury is currently penning a sequel, one which details specific battle actions that earned him a prestigious gallantry award.
See the YouTube video: https://www.youtube.com/watch?t=14&v=c6WbV-Azwi8

And now, for the questions:
Obaid Chowdhury: The Cover. Should it be soft or hard? Do I need a dust cover; is it necessary? Which is the most cost effective? I have a tentative cover design. But I would like to consult another designer if he can come up with a better and attractive one to depict the story theme.
JH: Cover is key. Check out Joel Frielander’s web site and study it. Each month, he critiques book covers with a fine eye. Pay attention to what he says about art work and font types and sizes. Look for books that are similar to yours and the design. (I did not design my first cover although I had input, but I helped with the second.) You want to tell a story with your cover, or at least convey a theme or define a genre. You want the reader to pick it up if they are in a bookstore, or linger if they are shopping online. Cover designers are everywhere, and most will design a cover for very little money. We have an art college here with a bulletin board and design students will fight for the job. You shouldn’t have to pay more than a couple hundred dollars. Soft covers are best on a budget, unless you have a book publisher for a best friend.

 

OB: Formating and Design. Should I use their in-house services or use an outside professional? Any idea which will be cost effective and better?

 

JH: Book Baby has a minimum formatting guide and you need to follow it, otherwise when you submit, your manuscript will look wonky. I didn’t know about manuscript formatting when I wrote my first book. I just kept writing it using my own formatting. WRONG. This is not to say that you will be stuck rewriting. Seat-of-pants formatting can be fixed, but it’s time consuming and a colossal pain in the rear. Book Babywill only allow one formatting change before it begins to cost you money, so you want to make sure your manuscript is as near perfect as you can before you upload.

OC: Size. Is 6″ X 9″ trade size okay for my project? Do you have any better suggestion?

JH: Sounds right to me.

OC: Paper. What’s best cost effective and quality paper? Is 60lb natural okay, or need a different on to give a better presentation?

JH: No matter who you choose, whether it’s a local book publisher or someone online, don’t be afraid to ask for samples. I published my second book on CreateSpace, but nearly didn’t because I had purchased a CreateSpace book many years before and the physical appearance was sub-par. When I considered them later, I asked for a sample and they provided one. They really improved – the cover stock, the interior pages, the printing, which is why I went with them. I have no idea what BookBaby’s physical books look like, you might want to ask for a sample.

OC:
Interior:  The text will be black. I may have some pictures, maps and charts. They are mostly black-n-white. Any suggestion about their design and/or coloring?

JH: Keep in mind that photographs, maps, and charts will cost money. They also interfere with the formatting of text. Should you decide that photos, maps, and charts are necessary, make certain you have legal rights to use them in your book. If you did not take the photos, you may have to hunt down who did, and ask for permission to use them. As always, credit the photos in the front of your book.

OC:
Editing. My project has been edited by Editoro! Do I still need their in-house editing?

JH: No. Definitely not, you are not required to use any editor. Remember though, you need to send a pristine manuscript to vendors like BookBaby or CreateSpace – they are assuming it’s perfect and are not going to make corrections on a glaring error. Much as I love Mr. ED (disclaimer: he is also my developmental editor) and he is kick ass, I would still run the manuscript by a proofreader, a critique partner who is good at proofreading, or something similar. Do it a couple of times. A dozen times. Your developmental editor will not pick up on typos (YOU will not pick up on typos), misspellings, or weird grammar. I’m terrible at proofreading my own work, and I see where there are mistakes in my first novel. With the second, I went over that (with others) over a dozen times. Get SmartEdit. I did, and run my work through it religiously. It doesn’t proofread, but it reviews your manuscript and adds up how many times you might use a particular word or phrase (redundancy – the bane of the writer). I try to limit my use of a particular word to less than 100 times in a 100K novel (my own personal goal). Smart Edit will question spellings, punctuation and other word problems. I also use it to tighten up my sentences, therefore eliminating a lot of unnecessary words.

OC: Promo & Marketing. How effective is their promo and marketing campaigns? Do the generate sales?

JH: I’m afraid the only entity that will generate sales is YOU. I do not rely on anyone for promo. I tried it, it just doesn’t work. You should follow Frances Caballo  – she is a whiz at social media for authors. I have to say I can barely follow most of her techniques, but you will learn a lot by reading her. Also, before you launch, set up a Goodreads page for yourself (and an Amazon page – I haven’t done that yet, but who has time?).

OC:
BookBaby and Smashwords. Which agency you think better? The problems you mentioned, were they with BB or SW?

JH: I haven’t used Smashwords. I attempted to, but it gave me a headache. 🙂 I’ve heard that it’s now easier so I may give them a spin again. I’ve found BookBaby to be extremely responsive to my questions. Actually, so is CreateSpace. You call them, they call you back. Maybe I’ll give the Smashwords manual another go someday, but I don’t have time, and I’m also not very internet/design savvy.

You can follow Obaid Chowdhury HERE.

 

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About 8 years ago (! yikes!), I belonged to a toxic “social” web site, where the main focus was to be creative, but often the vibes were twisted and borderline abusive. Sometimes scary. However, as with most conditions of the human kind (and some of the cyber ones), there was an upside to contributing to the site. For one thing, my years spent on it charged my creative juices. The friendly (and not-so) banter challenged my thinking. I started writing again, after a long hiatus of taking care of children.

My writing was horrible at first, but having been at different times an English and a journalism major, at least my grasp of grammar was better than most. I hadn’t thought about the mechanics of writing in a long time.

But this web site was self-regulating, by Grammar Police. Some of the critiques were friendly, thank God, otherwise I might have given up writing altogether.

During my last years in, I started writing a serial story about a precocious teenager in mid-1970’s Minnesota. The story started as a lark, an outrageous forty-five minute writing exercise a day of my protagonist’s rather outlandish adventures. After a while, I liked Sioux C. She was me, but with balls. I peppered her neighborhood with my cousins, my boyfriends, and my dreams. I wrote about her as a 20 year old party girl, and I wrote about her as a 45 year old has-been with regrets.

One day, the aforementioned web site appeared to be going down the drain. I was naive back then, and would write directly into the site, never putting my words into a Word document or even printing them out. But the writing was on the wall, and this good time wasn’t going to last long. Before I committed social network suicide, I painstakingly copied and pasted all of the stories into a Word document and erased all traces of her. I started a WordPress blog with the intent of continuing the story there.

In the meantime, I began writing other novels, four and half more. I put Sioux C on a shelf. This was easy, as there really wasn’t any ending to the story. Until a month ago…

Yeah, the light bulb went off above my head, just like in the cartoons.

Now that I had a story line, I decided to dredge up my document and paperclip it, using Michelle Richmond’s technique. Imagine my dismay when I couldn’t find my file!

I use Carbonite (thank you), which I have said many times that it’s the best $50 a year I spend. It’s saved me so many times. I had to dig back into the archives a little, since the last incarnation of the novella was three laptops ago, but I did find it.

(YAY!)

It was easy enough to print out. Paperclipping, that’s another story.

paperclip

I can see now that I have to weave my story line in, and end it to my satisfaction. I can also see that I need to add more dialogue (I hated to write dialogue back then), straighten out more bumps, delete some, etc. I don’t know if I can use the stories I wrote of her in her 20’s or at 45, but that’s a bridge I can cross when I come to it.

These are the things you as a writer can learn from this story:

1. Never throw any writing away. You don’t know if it will come in handy. Maybe not all of it, but everything you have expended energy on has value.

2. Get online cloud storage. I have referred to Carbonite as the granny hoarder of the Internet that doesn’t throw anything out. That’s what you need.

3. Occasionally print your story out. Look at it on paper. Speak it out loud.

4. Buy pretty paper clips. The ones I had in my drawer seem too industrial. Then again, that’s the look I was going for.

Now, to get busy.

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I spent this morning outside weeding. I’m so far behind. We went from winter to summer and back again four times in the last six weeks. There’s been no spring in this part of the world, just extremes.

I’m an urban gardener, not a hardy nutjob. If it’s not 60 degrees plus and sunny, I’ll wait for another day… or another year.

But finally, the gods decided to smile on me and I’ve been out in the yard since Friday. But today has been brutally relentless on the allergies. The pollen is so thick, you can cut it with a knife and feed the hummingbirds dessert for the next two months. By 10 a.m., most of my body was itchy, my tongue had swollen, my nose was a running faucet, and I couldn’t even smell the dog taking her doggie duty inches from my little trowel.

Benadryl

So I opted for relief. I took a mid-day Benadryl.

I don’t normally ingest this wonder drug in the middle of the day. Night time is the right time for Benadryl. That’s because eventually you will lose your will to remain seated in an upright position and will need a comfy bed to crash on.

I once made the ghastly error of taking two of them at once. It was a bad year for hay fever. The kids were little. I’d loaded them up into the minivan and drove to a not-so-nearby nature center, where we would hang out and have our dinner.

Not so fast…

It took a half hour, but I realized I had to get home…NOW. I told my son if we didn’t make it, he was to take my cell phone and call 911 and have us rescued. We managed to make it home safely, where I went directly to bed and didn’t wake up for 18 hours.

I normally power through allergy season, but today, I couldn’t stand my situation one minute longer. I’m fairly certain my neighbors were tired of my scream-like sneezes too. So I ceased all gardening and ingested a Benadryl.

You don’t win-win with Benadryl. You win a little, lose a little. See what I mean?

Mid-day Benadryl upside: My tongue has shrunk back to its normal size, meaning a trip to the ER on a holiday has been averted.

Mid-day Benadryl downside: I can’t concentrate. I was going to work on edits. I might still, but I can’t be responsible for what pours out of my head right now.

Mid-day Benadryl upside: I’m feeling oh-so-mellow. I’m smiling.

Mid-day Benadryl downside: I could take a nap anytime now. NOW would be good.

Mid-day Benadryl upside: It’s a holiday! I could nap if I want! Hurrah!

Mid-day Benadryl downside: When I type Grand Rapids, it’ looks like this – Gtsnf Ts[ofd/.

Mid-day Benadryl upside: I won’t need that cocktail later. Because I’ll likely be napping.

Mid-day Benadryl downside: I really don’t feel like running today.

Mid-day Benadryl upside: I’m at work, the phone is ringing off the hook (it’s loud and annoying), but I’m not annoyed. I don’t care!

Mid-day Benadryl downside: I probably shouldn’t use any equipment that involves sharp edges, flames, or precision. Which means I probably shouldn’t work on jewelry either.

That’s about all the hilarity I can stand for now. I have to drive home while I still can.

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12-16 willow

It might be strange to say out loud, but I’ve never been without a thought of death.

My first memories of death were when I was a child. My sister contracted encephalitis. I was 7 or 8, she was 5. She was in a coma for two weeks. The doctors thought she was going to die, and so they brought my soldier-father home to Arkansas from Korea, where he had been deployed.

I remember sitting beneath an open window with my 3 year old sister, digging in the dirt. My mother was inside the kitchen, on the other side of the screen, talking to a neighbor about how ill the middle sister was. “She might not make it,” I overheard her say.

Instead of being sad, my childish selfishness flared up. I laid claim to my dying sister’s dolls, while my younger sister wanted to score her underwear.

(Our plans were for naught. My sister recovered, was showered with more dolls and toys, and is still alive – many decades later – today.)

In high school, I suffered from teen angst. My mother was nuts, and I wasn’t popular. I wasn’t exactly suicidal, but I often imagined myself “gone” – in another world, a hopefully better one than this one. I walked in the middle of the highway, daring cars to hit me. (Okay, so maybe I had a death wish.) Once I got my drivers license, I visualized violent crashes if I just veered off the road, just a little bit. It could happen. I could be a statistic. This wasn’t a once in a year thought; I thought about it every time I got behind the wheel.

What would my parents do? My siblings? Would the hole at the kitchen table leave a hole in their hearts? Would I be here today, gone tomorrow, a wisp of a thought no one gives a damn about?

I still wonder about cars. After all, three thousand pounds of careening metal is a deadly weapon. Most people are stupid drivers. La-dee-daaahhhh…. On the other hand, I’m a diligent driver, probably because of my Real Life business nagging me on my shoulder. I scan ahead, behind, to the side. I watch for overpasses, on the hunt for kids who think that hefting a large rock onto freeway traffic might be a fun diversion. My “cushion of air” is big enough to fit three cars around me, and I drive like a granny.

But I still think about dying.

Death is a good topic to address in any writing. We are drawn to reading and writing about it. Why? It’s easy to read and write about, because then we aren’t talking about it. Dying is the Big Unknown. No one wants to discuss it, not out loud anyway. I had to drag my husband kicking and screaming into the conversation just to get him to face facts that our will was dangerously overdue for revision, and that only took ten years.

And then there are thoughts deeper than which kid will get what: Is there heaven on the other side? Hell? God forbid, NOTHING? I personally believe in reincarnation AND ghosts. I’ve had visions of me being in other places, in other times, and this was when I was quite young and had minimal access to media. After my mom died (unexpectedly), I believe she spent a year floating from one child’s house to another. It was as if she wasn’t quite finished with us yet, like she was checking on us. So yes, when I go, I’ll be back.

🙂

After you’ve considered your own after-death fate, you wonder about the survivors. Will the husband remarry? Will the kids forget about you? Will there be knock-down, drag-out fights over what remains? (Death has a way of making people go crazy, remember?) Will anyone visit your grave? (That’s not so far fetched.) Will they know how to make your world-famous chicken soup, or will they ruefully wish they’d paid more attention?

I’ve noticed that in my writing, either someone has died or is dying. My first stories revolved around the survivors and how they reacted. I’m old enough where I’ve seen lots of death. Grief reactions are so varied, you really have to scratch past the surface and investigate why the person has reacted that way. There’s always a reason. Sometimes it’s a good reason, sometimes it appears crazy, but later, it makes sense.

Now I tend to write about people who are dying or are considering suicide. Being sick with a terminal disease sucks; so is being hopelessly depressed. I am neither, so it’s difficult for me to imagine confronting Death knowing your days are numbered and your seconds are ticking by faster and faster. Still, I’m getting to the age where I have to think about it.

All of this translates into good material.

Every night I go to sleep and the words of the nighttime prayer come to mind:

Now I lay me down to sleep

I pray the Lord my soul to keep.

If I should die before I wake

I pray the Lord my soul to take.

I am amazed and happy every day I wake up.

Another day gives me another chance to write.

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Yesterday was Mother’s Day.

I don’t have a mother (anymore, not since 1992), so I usually take this day to ruminate on my mother’s parenting skills, her cooking skills, her financial skills, her communication skills, and her maternal instinct, and come up with the same conclusion: She wasn’t very good at any of those things.

Oh, I’m not bitter about it. She might have been flawed, but I’m not the type who would blame my entire life circumstances on the fact that she might have been severely bipolar and/or maybe even evil. I miss that she wasn’t here more than I rue the fact that she wasn’t June Cleaver.

Not even close.

Yesterday would have also been her 82nd birthday. Here is the photo I posted on Facebook for the occasion:

mommy

Despite the bittersweet day, I’m not going on regarding emotions. I can blog forever about parent-child relationships and how it is to live with a crazy woman.

Instead, let’s devote today’s talk to F-O-O-D.

There are only two days a year where I refuse to cook. One is Easter; the other, Mother’s Day. On these two days, I prefer to hit up a high-end brunch and get liquored up on mimosas and all the prime rib and shrimp cocktail I can eat.

It is sad when I do not get my Mother’s Day brunch. Three years ago, I made a reservation at a VERY nice restaurant for Mother’s Day brunch. My husband and I had enjoyed a very nice anniversary there the September before. We loved the place. Good food, good service.

I called in my reservation two weeks before Mother’s Day. I provided the hostess with a credit card number (on the very slim chance that I would no-show my brunch. As if!)

We arrived at the very crowded venue in chi-chi Birmingham with time to spare. Enough time for the rudest hostess ever to tell me that we didn’t have a reservation. And couldn’t get me in. ON MOTHER’S DAY. Nearly in tears, we stopped at Papa Joe’s market on the way home. They saved the day with their own prime rib.

This year, my daughter is home, which is lovely. This year, Easter was cold and blustery, which caused a dissent regarding another brunch outing. In fact, I was outnumbered. “I hate eating around children.” “I don’t want to drive that far.” “You mean I have to get dressed up?” “This cuts down on my outside time.” I’ll let you figure out which family member declared which silly sentence.

I hate being worn down, so I said, “If you don’t want to go out to brunch, I’ll accept a Lobster Gram.”

Sold!

Sure they were sold. I ended up making the lobster. And the twice baked potato. And the cocktails.

And my lobster did not resemble this lobster tail/tale from another time:

lobstah

That’s because we had whole Maine lobstahs (which I love).

With whole lobsters, you must know how to dismantle them. It’s been a long, long time since I’ve been near one. Which is why even with crackers, a hammer, and various other gadgets, extricating the lobster meat was messy.

Lobster guts were everywhere! All over the table (should have laid down a tarp), all over the walls, all over my hair and glasses.

It was hilarious…and tasty… but that’s only because I haven’t cleaned up yet. I’m hoping the animals will take care of the floor.

Next year, Mother’s Day brunch for sure!

 

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This is the million dollar question every writer asks herself as she sets about telling her story.

What do readers want most? Entertainment? Believable characters? A trip to a faraway land, another world, or another time? To experience a situation that would never happen to them in Real Life?

There are several books I’ve read over the course of many years that stick in my mind. The Prophet by Kahlil Gibran is one of them. It’s my go-to book when I’m on an emotional roller coaster. There is so much truth in this little book with its small, poetic chapters…for me, it’s the Bible of common sense and how to live.

I have been thinking about this as I finished Eden Springs by Laura Kasischke, one of my favorite novelists.

1lkasischke

Why am I still thinking about this book days after finishing it? It’s a small book (novella length), it’s a period book (Michigan in the early 1900’s), it’s a departure from her usual novels about broken people. I shouldn’t have even liked it.

I’ll tell you why I love this author, and others who write like her.

1. Her words are poetic without being purple. She does wonderful things with them. Not verbal gymnastics, an in-your-face exercise, but more like a beautiful, slow ballet. Of course, I’ve always been a sucker for an artful turn of words, which is why I love singer/songwriters like Joni Mitchell and Bob Dylan.

2. Her characters are so believable, you can’t help but wonder what happened to them after you’ve reached “The End.” I still think of the survivors of In A Perfect World. Other talented authors like T. Greenwood and Michelle Richmond also populate their stories with very tangible characters.

3. I have the distinct impression (and I could be wrong, I’ve been known to be wrong about lots of stuff) that she writes from her heart. She’s not writing for an audience, but rather for herself, for her craft.

And now I am opening the floor. What about you? If you’re a reader, what makes a story stick in your mind? If you’re a writer, how can you conjure your words to achieve the same effect?

 

 

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If you know me and/or follow me on Instagram, you would realize that I’m quite the foodie. (Instagram because I’m totally addicted to food porn. Most of my photos are food I’ve eaten, food I’ve made, or food I wish I could eat.) I especially love local dining, no matter where that might be, and regularly seek out holes-in-wall-restaurants that are gastronomical diamonds in the rough. I honestly do not get fast food (although I will falter and succumb to a Big Mac or KFC once a year), or chain food (ICK!). I mean, really…if you’re in San Francisco, why would you grab a coffee at McDonald’s or Starbucks when there are so many local java huts? Why would you eat at PeiWei when there are literally thousands of Asian restaurants within a 49 square mile radius?

I have taken my food snobbery to other, decidedly smaller venues. Everywhere you go, there are local restaurants who attempt to maintain cuisine that is true to the area.

Food is more than fuel or comfort; it’s art in its own special way. In order to experience the art, you may have to travel outside of your comfort zone. Way outside.

mipueblo

Which brings me to this cheese smothered “California” burrito which I half ate last night. (Daughter got the leftovers.)

I’ve lived in the Detroit area for nearly 30 years. Detroit has quite the Mexican community. A Mexican Town, even. I HAVE NEVER BEEN TO THIS AREA UNTIL LAST NIGHT, when I suggested we go to Mi Pueblo (technically Southwest, not Mexican Town) for dinner.

Why not?

Well, for one thing, this area of Detroit is not one of the best. It’s industrial. It’s gritty. It’s DEE-TROIT. Buildings are covered in graffiti, every third house is burned out – in other words, it’s soooo not suburban Royal Oak.

It’s also far from the main drag and a freeway entrance, making it scary for my husband.

But I (and the daughter) was craving a super burrito something fierce. Something genuine, or a reasonable facsimile of it.

Okay, so the “California” burrito pictured above was not a real San Francisco Mission burrito, but it was close enough. The rest of the meal was tasty. Mi Pueblo makes their own corn tortillas. The margaritas were decent. Our waitress was excellent, quick, friendly, helpful.

Now, what does this dinner have to do with writing?

As I mention in this post, sometimes as a writer, we must go to places (physical or psychically) where we are not familiar. Sometimes we want to take this trip; but other times we are pushed into it.

Either way, if you don’t take that leap of faith, you will never know.

Good artists and good chefs will push the envelope. They’re not afraid to try something new.

The best food snobs will eat just about anything – once.

The best writers keep their minds wide open to new possibilities, whether they jump or are pushed off that cliff.

🙂

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